Sitting nude - 1909


Size (cm): 55x75
Price:
Sale price₩351,000 KRW

Description

The work "Sitting Nude" (1909) of Amedee Modigliani is a sublime testimony of the artistic evolution of the Italian painter, who stood out for his innovative approach to the portrait and the human figure. In this painting, Modigliani offers a unique vision that goes beyond realistic representation, entering the exploration of form, color and emotionality. The central figure, a naked woman sitting, is presented in a serene and contemplative way, undressing not only her body but also her essence, and invites us to enter a dialogue with her intimacy.

In this work, the composition is characterized by a simplicity that highlights the monumentality of the figure. The woman is reclined in a neutral background that does not distract attention from her form. Modigliani reduces complexity through elongated contours and soft lines, which give the figure an almost sculptural quality. His stylized proportions are distinctive of the artist, who explored the idea of ​​"nude" as an emotional expression vehicle, rather than a mere anatomical study. The head has a relatively small size compared to the torso, which accentuates the elongation of the limbs and creates a visual harmony that is characteristic of the style of Modigliani.

The use of color in "seated nude" is notable for its warm and terrious palette. The yellow, brown and flesh tones that confer a feeling of warmth and humanity to the figure predominate. This combination is not only aesthetically pleasant, but also plays a crucial role in the evocation of the sensuality and vulnerability of nude. The shadows used are subtle, which allows light to flow gently on the skin of the model, creating a volume effect without losing the characteristic two -dimensionality of Modigliani's style.

The context in which this painting is created is significant. At the beginning of the 20th century, Modigliani was part of a generation of artists who sought to break with the conventions of the past. His style, which incorporates influences from African sculpture and Renaissance art, distances himself from the traditional academicity and enters modernity with a more emotional and free approach. "Sitting naked" is a testimony of this search for a new pictorial language that sought to express internal psychology and the subjectivity of the human being.

It is essential to point out that, although "naked" shares similarities with other works of his period, such as "naked lying" or "naked standing", each offers a unique perspective on the female figure. Throughout its production, Modigliani dedicated himself to exploring the representation of women, filling them with an aura of mystery and transcendence in the midst of a refined and moving aesthetic.

In conclusion, "naked sitting" is not only a masterpiece that highlights Modigliani's dominance over the shape and color, but is also a reflection of his desire to go beyond the superficial and capture the essence of the human being. This work not only invites aesthetic contemplation, but also arouses a deep emotional connection with the figure represented, an echo of the artist's search for beauty in its purest and most revealing form.

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