Sitting girl - 1910


Size (cm): 55x85
Price:
Sale price₩368,000 KRW

Description

Egon Schiele, a fundamental figure of Austrian expressionism, captures in his work "Sitting Girl" (Seated Girl, 1910) a good amalgam of emotional intensity and the unmistakable style that characterize its production. The painting presents a young female figure in a contained pose, which evokes both vulnerability and inner strength. The tone of colors, predominantly in a warm palette composed of ocher and skins, underlines a deep connection between the figure represented and the surrounding space. The choice of these colors is connected to several of the works of other contemporaries of Schiele, but its distinctive use of the drawn lines and shapes makes it a unique and emotional work.

The composition is remarkable for its carefully orchestrated asymmetry, where the figure, sitting, seems to be in an introspective observation. This pose moves away from the ideal of the female body typical of the time, instead accentuating the fragility and uniqueness of youth. The use of energetic and gestural lines defines the contour of the character, and despite the apparent simplicity of its surroundings, each line feels loaded with emotion and meaning. The facial expression of the young woman reflects a mixture of introspection and sadness, which invites the viewer to explore beyond the superficial.

Schiele stands out for his ability to strip his models of ornaments and form an intimate connection with the essence of his subjects. In "Sitting Girl", the figure is presented without a clearly defined narrative, allowing the observer to project their own emotions and experiences. The absence of an elaborate background, beyond subtle textures, accentuates this universality that the artist sought in his portraits.

An interesting characteristic of the work is how the ideal of the body is reversed in painting. Schiele, known for his representation of the human body in unusual postures and attitudes, here chooses an anatomy that departs from the classical proportions, emphasizing instead the individual expression of being instead of conventional aesthetic perfection. This approach resonates with the movements of modernist art that questioned the artistic norms of the past.

The use of color also deserves to be highlighted. The warm tones contrast with the predominant black lines that delineate the figure, providing a sensation of three -dimensionality, while keeping it in a state of almost fragility. This approach to color reinforces the emotional atmosphere of the work and evokes visceral responses in the viewer.

In summary, "sitting girl" encapsulates the essence of Egon Schiele's style, where the portrait becomes a vehicle for the examination of the human being in its crudest and authentic form. The work is not only a representation of youth, but a deep comment on the nature of vulnerability and introspection. This fusion of technical innovation and emotional exploration makes Schiele a crucial artist to understand the development of art in the twentieth century, opening paths that would influence later generations. The painting remains a reminder of the power of art to reflect the complexity of human experience, making it relevant even more than a century after its creation.

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