Shadow (also known as children next to a window) - 1902


Size (cm): 60x75
Price:
Sale price₩354,000 KRW

Description

The "Shadow" painting (also known as "Children with a window"), made in 1902 by Maurice Prengast, captures with a delicate mastery the essence of childhood and light, elements that are recurring in the artist's work. Prendergast, who was part of the movement of American impressions, is known for its vibrant use of color and its ability to portray everyday life through an almost lyrical lens. In this work, two children are next to a window, evoking an atmosphere of curiosity and astonishment that characterizes their children's experience.

From a compositional perspective, the work is structured through a disposition that emphasizes the relationship between the interior and the outside. The window acts as a limit, a space that opens towards a broader and more natural world, although children are again in a domestic environment. This duality is reinforced by using organic lines and forms that guide the viewer's gaze from the children's bodies to the landscape that is glimpsed through the window. The arrangement of the characters and the details of the environment are combined to create a sense of movement and softness, aspects that are characteristic of the lighting style.

The use of "shadow" color is remarkable; Pastel tones predominate, creating a dreamy and nostalgic atmosphere. The surfaces are bathed in pigments that evoke daylight, with touches of blue, pink and yellow that give life to the scene. This chromatic choice not only highlights the expression of human beings, but also establishes a dialogue with the nature that is insinuated in the outer landscape. The shadows that are projected inside suggest a game of lights and dark, accentuating the theme of light that permeates the work. This subtle contrast game not only enriches the palette, but also adds an emotional dimension, an intimate connection between the inner world of children and the vast outside world.

As for the characters, children are portrayed so that they suggest a deep curiosity and innocence. His positions and expressions can be interpreted as the manifestation of astonishment to the world that unfolds beyond the window. The way they are in the scene invites the viewer to reflect on his gaze towards childhood, a period associated with exploration and discovery. The fact that they are two children suggests the importance of friendship and the company in the growth adventure.

The work of Prendergast, and in particular "shadow", can also be contextualized within its exploration of modernism and the use of color as a means to express emotional states. Prendastast's style is often related to post -impressionism, in which the use of color and shape is emphasized in the representation of spaces and figures. His work also offers an echo of French painting, especially the work of artists such as Pierre Bonnard and Édouard Vuillard, who explored similar themes through their domestic compositions.

In summary, "Shadow" is erected as a representative example of Maurice Prengast's talent, combining the emotional exploration of childhood with a technical mastery in the use of color and light. The work is not only limited to capturing a merely visual representation, but invites the viewer to immerse himself in the childhood experience, leaving a lasting impression on the connection between the internal space and the world that awaits beyond a simple window.

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