Self -portrait with gladiolos


Size (cm): 60x75
Price:
Sale price₩346,000 KRW

Description

George Washington Lambert, an outstanding Australian-British painter of the twentieth century, is revealed in one of his most introspective and fascinating works: * Self-portrait with gladioli * (Self-Portrait with Gladioli). Lambert, known for his ability to capture the essence of his songs with meticulous precision, offers us in this portrait an intimate and sincere vision of himself, not only as an artist, but also as an individual.

The composition of painting It is remarkable for its balance and symmetry. Lambert portrays himself in a half -body pose, to the right of the canvas, giving to the main figure a breath space with the gladioli, some flowers that unfold elegantly on his left side. This choice of flowers is not fortuitous; The gladiolos, known for their imposing and association with strength and moral integrity, seem to reflect the qualities that Lambert wishes to project in their self -portrait. The rigidity and the height of the flowers also balance the upright posture and the direct look of the painter.

The use of color in this work shows Lambert's mastery in the color palette. Earth and green tones predominate, with reddish nuances that encourage the petals of the gladiolos and create a harmonious contrast with the neutral background. This background, far from distracting, emphasizes the figure of the artist and the flowers, suggesting an intimate, almost austere space, where Lambert openly presents the viewer.

Lambert's gaze is penetrating and reflective. His eyes, focused towards the front, transmit a mixture of challenge and contemplation, generating a direct visual dialogue with the public. Through this look, Lambert invites us to explore beyond the surface, to understand the complexities and dualities of his personality. His clothing, although sober, is carefully chosen, reflecting a respectable figure and considerable personal introspection.

The detail with which Lambert has captured the gladiolos is superlative. Each petal, each curve, has worked with precision that denotes not only its technical ability, but also a deep appreciation by nature. Gladiolos not only serve as an aesthetic element, but also as a symbol, infusing life and dynamism in the image without subtracting prominence from self -portrait itself.

The choice of self -portrait with floral elements is not common in Lambert's work, which adds a layer of intrigue. His ability to merge the personal with the symbolic in this painting It resonates with an impressive naturalness. This work stands out not only as a representation of Lambert as an artist, but also as a man who is in a constant dialogue with his surroundings, his roots and his own experiences.

In the context of his time, Lambert often explored various genres, from portraits to historical landscapes and scenes. However, * Self -portrait with gladiolos * is singularized by the way in which its identity encapsulates in a single and powerful framing. Through this painting, Lambert not only introduces himself, but also gives us a window to his inner world, a testimony of his artistic skill and his deep sensitivity.

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