Raminou and Cántaro with Claveles - 1932


Size (cm): 50x40
Price:
Sale price₩227,000 KRW

Description

The work "Raminou and Cántaro with Claveles" by Suzanne Valadon, created in 1932, is a rich and evocative representation that contains in its simplicity a deep emotional and symbolic burden. The artist, known for her bold style and her distinctive approach to the human figure, offers in this painting an exploration of color, shape and a subtle dialogue between the objects represented.

He painting It presents an accomplice between what seems to be a cat, possibly called "Raminou", and an ostentatious vase that holds carnations in a domestic environment. The choice of cat's figure is emblematic in art history; It symbolizes both intimacy and a type of mystery inherent to domestic lives. Our feline is portrayed with an air of curiosity and trust, posing on a clear surface, which brings a sense of calm to the whole. The light is gently filtered on him, accentuating the textures of his fur and highlighting his eyes in a visual dialogue with the Florido vase.

The pitcher, placed next to the cat, is an element that provides a connection between nature and everyday life. Concluding the symmetry of the work, the flowers, extremely vibrant and expressive, act as a counterpoint to the cat, providing an explosion of color that fills the stay of life and joy. The carnations, often associated with love and admiration, can be interpreted as a tribute to the beauty surrounding everyday life.

Valadon uses a color palette characterized by a vibrant contrast and a luminosity; The warm tones predominate, while the blue and green of the background give depth to the scene. This choice of colors not only enhances the atmosphere of the canvas, but also reflects its technical mastery by combining strength and subtlety in the representation of visual intrications. The loose but decisive brushstrokes, characteristics of their style, allow a fluidity that invites the viewer to travel the composition with the look, appreciating the different elements that interrelate.

In addition to the technique, it is relevant to mention that Suzanne Valadon was a pioneer in a predominantly masculine area within the post -impressionist movement. His approach was characterized by an interest in portrait, nude and everyday life. With his personal style and a background of figure as a model, he managed to capture the female experience and the diaphanous introspection emanating from his work. A work like "Raminou and Cántaro with Carnations" not only represents a daily moment, but also encapsulates the essence of an unique time and artistic vision of women in art.

In conclusion, Valadon's piece is more than a simple representation of domestic life; It is a celebration of the relationship between the living and the inanimate, a song to the beauty of the simple moments and a testimony of the singular talent of its creator. This work endures as a testimony of the female artistic vision in a crucial period of art history, and continues to invite contemplation and analysis in each observation.

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