Portrait of Degas in Florence - 1858


Size (cm): 50x110
Price:
Sale price₩420,000 KRW

Description

The year 1858 was led us a jewel of art with the "portrait of Degas in Florence" by Gustave Moreau. This work, a testimony of friendship and mutual admiration between Edgar Degas and Moreau, stands out not only for its technical mastery but also for its deep artistic sensibility. We observe in this painting an intimate and reflective scene, captured with a precision that transcends the mere realism to touch the fibers of the human soul.

In the midst of a sober room, almost devoid of ornaments, the figure of Degas is built, perfectly framed by an open door that suggests both a physical and metaphorical threshold. Behind him, a barely visible simple shelf and a lamp complete the austerity of the space. Moreau chooses a restricted chromatic palette, dominated by terrible tones that give a seriousness and emotional depth to the scene. This use of colors, far from being monotonous, highlights the corpulence of the black suit of Degas, in diaphanous contrast to the background, in which the golden light plays a crucial role in wrapping the figure in an atmosphere of quiet recollection.

The countenance of Degas, calm and thoughtful, is profiled with skill. The slight inclination of his body was ahead and the look fixed to a point outside the canvas communicates an introspection and contemplation that invite the viewer to speculate on the thoughts of the portrayed. Small shadows, careful hair and beard texture can be intuited in the small details a special dedication of Moreau to capture the character's essence, beyond its external appearance.

The work is also a reflection of the time when both artists were, a period loaded with ideation and exploration. While Degas leaned towards the detail of the movement in his future masterpiece of impressionism, Moreau was still forging a path that would lead him to be recognized as one of the masters of symbolism. This convergence in their respective artistic developments is crossed by a deep connection that Moreau manages to capture in this portrait.

In addition, this portrait allows us to glimpse aspects of Degas's personality. His relaxed but firm possessment, his reflexive gaze, show us a man of great introspection and intellectual curiosity. Moreau, with his sharp perception, manages to encapsulate in an image the complexity of a character as multifaceted as Degas.

The "portrait of Degas in Florence" also drives us to reflect on the function of the portrait in the 19th century. At a time when photography began to gain ground, portrait painting should justify its relevance by providing additional layers of meaning and emotional depth, something Moreau dominates with great success.

In conclusion, painting is not only a physical portrait of Edgar Degas, but also a window to a time and a friendship, a testimony of the artistic search without rest that they both shared. Gustave Moreau, with his touch master And its introspection capacity, one of the most moving and detailed representations of this fruitful period for European art is read.

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