Arando - 1915


Size (cm): 75x60
Price:
Sale price₩346,000 KRW

Description

The work "Arando" of 1915 (Plouging - 1915) of? Tefan Dimitrescu is inscribed within a prolific period both in the artist's career and in the context of Romanian art of the early twentieth century. ? Tefan Dimitrescu, known for his focus on rural life and traditions of his country, reflects in this painting a deep connection with nature and a vivid representation of agricultural work, central theme that is observed throughout his work.

In "Arando", the composition is remarkable for its dynamism and its ability to capture the movement of human effort in the field. The artist presents a peasant in the act of Arar, surrounded by a landscape that evokes an atmosphere of industriousness. The figure of the peasant, robust and almost monumental, is erected as a symbol of work and resistance, while the plow and freshly opened grooves in the earth transfine the idea of ​​life and coming fruits.

The use of color is one of the most prominent elements of this painting. Dimitrescu opts for an Earth's palette that reflects rural reality, with brown, ocher and green tones that evoke both the earth and the surrounding vegetation. These colors not only contribute to effective realism, but also confer to the work a sense of warmth and belonging to the Earth. The contrasts between the light and the shadow give the depth scene, emphasizing the volumetry of both the peasant and the plow, generating an almost tactile impression of the scene.

Dimitrescu's style is often aligned with currents such as realism and, sometimes, with symbolism, but it is its ability to portray the essence of rural life that gives it a distinctive voice in Romanian art. "Arando" can be seen as a tribute to the agrarian tradition and the daily routines of the Romanian peasants of their time. This work resonates with the artistic nationalism of the time, where many artists sought to claim Romania's cultural identity against foreign influences.

Although no other characters are presented in the painting, the peasant's loneliness is loaded with meaning. The isolated figure implies a meditation on work in direct contact with the earth, evoking an ancestral connection between man and his surroundings. In the work, nature becomes a strong element that not only serves as a backdrop, but also integrates into the visual narrative of sacrifice and perseverance.

Dimitrescu, when using this approach, makes "praying" transcend the simple registration of an agricultural activity and becomes a reflection on humanity, dedication and spirituality of work on earth, aspects that, although they have evolved with the step From the years, they are still palpable today. Painting is not only a testimony of its time, but a work that invites you to contemplate the hardness and beauty of rural life, and that endures as an icon in the history of art in Romania.

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