New York view from the top of Fort George - 1920


size(cm): 75x55
Price:
Sale price₩342,000 KRW

Description

The work "Vista de New York from the top of Fort George" (1920) by Childe Hassam offers us a fascinating window to the New York urban landscape, captured through the Light Halo and the atmosphere that characterize its impressionist style. Hassam, an outstanding American artist who flourished at the end of the 19th and early twentie city.

In this painting, the composition is organized in such a way that it has a strong focus on depth and perspective, with a high view that allows us to contemplate the city from a privileged position. The New York horizon extends majestically, with skyscrapers that rise in the background, surrounded by a blue sky that mixes with clouds in an almost ethereal dance of light and shadow. This use of space is characteristic of Hassam's style, who often focused on the interaction between architecture and natural landscape.

Color plays a fundamental role in this work. The vibrant and extremely saturated tones echo the vitality of the city. You can see a palette dominated by blue and white, in which the lights reflected in the buildings add a dynamism that reveals the pulse of city life. Hassam distanced himself from the faint shades of academic realism, preferring a more bright approach that captures the changing atmosphere of daylight.

Through the loose brush technique and then color layers, the artist manages to transmit a sensation of immediacy and movement, essential characteristics of impressionism. This style is manifested in the way in which the details of the view do not occur clearly, but are suggested through color spots, giving a sense of life and transience to the scene. The breeze and the dynamism of the environment seem almost palpable, an experience that resonates emotionally with the viewer.

Although there are no prominent characters in the foreground, the representation of the city and its buildings is already a way of telling stories about the urban life of the time. The adoption of a perspective from Fort George suggests not only a passive observation, but also a sense of belonging to a space that is both individual and collective. The work is registered in a particular historical moment, since New York was quickly expanding in its early years as the twentieth century metropolis, a context that undoubtedly influenced Hassam.

Through this work, we can appreciate how Hassam translates its admiration for modernity and the transformation of the city into a visual language full of textures, light and color. His work is not only a portrait of an urban landscape, but also a meditation on human experience within that environment. "View of New York from the top of Fort George" not only captures a moment in time, but also invites the viewer to contemplate the continuous evolution of the city and its impact on which they inhabit it. Thus, Childe Hassam gives us not only an image, but a whole sensory experience that transcends time and space.

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