Nenufare pond - afternoon (left panel) - 1926


size(cm): 75x50
Price:
Sale price₩334,000 KRW

Description

The work "Nenufare pond - afternoon (left panel)" by Claude Monet, painted in 1926, is a remarkable example of the deep artistic domain of master Impressionist about light, color and nature. Monet, a pioneer of the impressionist movement, dedicated decades to capture the ephemeral splendor of the landscape through changing light and its interaction with water. This painting resonates with a complexity that transcends the visual, inviting the spectator to immerse himself in a world where nature becomes a canvas of sensations.

In this piece, the left panel of the triptych that represents the pond of aquatic flowers, Monet achieves an almost dream and contemplative atmosphere. The composition is dominated by a series of fluid forms that represent the water lilies, varying in pale pink tones, creamy white and green, which float in a nuanced background. These plant elements seem to blur the line between the aquatic space and the air, a habitual phenomenon in Monet's work that suggests an inextricable connection between the elements.

Color is the main protagonist in this work; The palette is characterized by a sophisticated combination of deep green and blue that evokes the serenity of the sunset. The light decreasing from the day translates into a gradation that unfolds in the water, creating never identical reflections and transporting the viewer to that moment of stillness. Monet uses the color at its maximum, often using loose brushstroke techniques that allow tones to be entertained and generate a visual vibration.

Unlike other Monet works that can show a greater presence of shapes in the landscape, here the attention focuses almost exclusively on the aquatic flora and water that surrounds it. There are no characters in this painting, which contributes to a sense of intimacy; It is a private nature where the viewer is a privileged observer of its silent beauty. By dispensing with human figures, Monet emphasizes solo contemplation, a shelter where the soul can rest.

One of the most interesting aspects of "Nenufare pond - afternoon" is its place within the broader context of the "Nenufares" series of Monet. Over the years, Monet worked almost obsessively in the representation of his garden in Giverny, creating an immense body of works that explored light and colors in the water. It is interesting to note that this series was created in a period in which Monet faced personal and health challenges, which indicates a form of resistance through artistic creation. His inclination towards abstraction in this panel also illuminates his evolution as an artist, approaching a language that prefigures abstract art that would arise in the twentieth century.

The harmonious trichromy of the work, combined with the masterful technique in the application of color and shape, makes "needy pond - afternoon (left panel)" not only in a representation of a landscape, but also in a subtle dialogue between the visual perception and emotion. It is an invitation to immerse yourself in the beauty of the simple and the ephemeral, capturing the very essence of monet impressionism and genius. This work is at the height of the great introspections of impressionism, serving as a testimony of the artist's ability to transform the daily landscape into a poetic and sublime sphere, where light and water dance in an eternal sunset.

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