Size (cm): 45x80
Price:
Sale price₩330,000 KRW

Description

Xu Beihong, one of the most famous painters in modern China, is fundamentally known for its ability to merge Chinese traditional techniques with western influences, developing a unique style that has left an indelible mark on the history of art. The "Urraca" painting (Magpie) is a palpable demonstration of its mastery in the representation of animal life through the use of purified techniques and a thorough observation of nature.

In "Urraca", Xu Beihong captures the essence of this bird, known in the Chinese culture for its symbolism of good fortune and messenger of good news. The composition focuses on a single Urraca inn in a branch, highlighted in an empty space that emphasizes the figure of the bird almost meditatively; This use of the negative space is remarkable and reflects the influences of traditional Chinese painting, where the void is considered as significant as the full space.

The choice of colors is sober, but effective. Xu Beihong uses a limited palette of black ink and gray nuances, with subtle accents of white, to give life to the structure and feathers of the bird. The brushstroke is precise and controlled, giving thorough details to the textures of both feathers and the branch of the branch. However, the remarkable thing is how the artist manages to convey movement and liveliness with an apparent simplicity of media. Each line seems to contain an implicit vitality, showing the observer the agility and vivacity inherent to the Urraca.

Xu Beihong is part of a historical context in which he sought to revitalize Chinese art through the synthesis of different pictorial traditions. After studying in Europe, he brought with him a deep appreciation for realism and anatomy, which adapted to his representations of human animals and figures in his paintings. This influence can be seen in "Urraca" in the rigorous anatomy of the bird, contrasting with the freer and more ephemeral representation of the surrounding flora.

Although it seems a mere naturalistic study, "Urraca" also offers a window to Xu Beihong's skills to capture the spirit and temperament of its subjects. The alert position of the bird, with its sharp look and the visible tension on its legs, suggests an immediate and enveloping narrative of the presence of the animal in its natural environment.

Xu Beihong is not only celebrated by his paintings of animals, but also for its monumental historical works and their portraits. However, it is in its representations of animals where there is a particular sensitivity, showing a tender observation and respect for nature. In a way, Urraca serves as microcosm of its broadest intention to unite the technique with the feeling and respect for the painted subject.

In conclusion, "Urraca" is not just a painting of a bird; It is a manifestation of the patience, observation and impeccable technique of Xu Beihong. It illustrates how through the integration of the traditional and the modern, you can create a work of art that is not only aesthetically pleasant, but also deeply significant and representative of a cultural and temporal bridge in the history of Chinese art. Every detail, however, tells an extensive story to those who take the time to observe and appreciate it.

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