Letter players - 1916


Size (cm): 75x60
Price:
Sale price₩353,000 KRW

Description

The work "Los players" of 1916, created by Theo Van Doesburg, represents a splendid fusion between geometric abstraction and the representation of daily life, defining characteristics of the STIJL movement to which Van Doesburg contributed to enthusiasm and vigor. Through this painting, the artist not only captures a moment of human interaction, but also reveals his devotion to the simplification of the shapes and purity of color.

In the work, we observe an approach to minimalist ornamentation and the use of basic geometric forms that give life to the scene. The composition is articulated around figures represented with defined lines and flat surfaces that delineate the action of the protagonists, two men concentrated in a card game. This approach not only reflects a moment of social interaction, but also suggests an introspection around the nature of the game and its symbolism in human existence. The fact of choosing these characters in an activity as universal as the card games highlights the daily and the elementary ones that are these interactions in the structure of social life.

The colors in "The card players" are a crucial element of the work. Van Doesburg uses a sober palette, predominantly tones of brown and gray that intertwine with accents in brighter tones, creating a visual contrast that attracts attention to the figures playing. This use of color is representative of Stijl's style, which advocates simplification and balance; The colors are not merely decorative, but they fulfill a structural function in the narrative of the work, marking the rhythm and the atmosphere in which the action develops.

The influence of Cubism is evident in the way Van Doesburg breaks down the forms and plays with perspective, presenting its protagonists in a way that makes them seem concrete and abstract at the same time. The gesture of the bodies, although it is controlled and distanced, suggests a sense of movement and activity, an air of playful tension in the atmosphere that is almost palpable through paint.

It is important to appreciate the historical context in which this work was created. The 1910s was a time of great innovation in art, marked by experiments and the desire to break with the traditions of the past. Van Doesburg, a contemporary of figures like Piet Mondrian, entered these new paths while striving to pursue an aesthetic that reflected the modernity of his time. By using such a daily issue as the game, it manages to approach abstraction to an accessible and relevant art form for people's lives, raising the mundane at a level of aesthetic reflection.

Although "card players" is not a work as well known as the splendid landscapes and more abstract compositions of Van Doesburg, their uniqueness lies in the dialogue that establishes between the form and content. Through this work, the artist reminds us that, despite the austerity of its forms and the measured use of color, there is a wealth in the simplicity that deserves to be explored and celebrated. In conclusion, this painting not only invites us to contemplate the seriousness of its protagonists immersed in the game, but also challenges us to reflect on the act of playing, a gesture that deeply resonates in the structure of our cultural and social interaction.

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