Leaving Scapa Flow - 1940


Size (cm): 75x60
Price:
Sale price₩348,000 KRW

Description

Eric Ravilious, one of the most acclaimed British watercolors of the twentieth century, left a enduring brand in the art world with his work "Leaving Scapa Flow - 1940". This painting, made in watercolor, captures a precise moment of World War II, where Scapa Flow, a bay located in the Orkad Islands, Scotland, served as the main base of the British fleet in the North Atlantic.

In a first inspection, the composition of the work reveals the technical skill of Ravilious in the use of watercolor. The choice of soft colors and a palette dominated by blue and gray tones reflects the cold marine atmosphere, while the cloudy sky suggests an imminent storm or the melancholy of the war. This palette not only provides a specific atmosphere, but also underlines the monumentality and serenity of the sea, in contrast to the fragility of vessels that navigate on its surface.

The painting center are the ships that leave the bay. Despite their tiny size in the vastness of the ocean, its presence is dominant due to the precise attention to the detail that Ravilious grants to them. The vessels, possibly military ships, are represented with defined and clear lines, in contrast to the nebulous mountains in the background. This approach provides a sense of movement, capturing the transitory moment of leaving port to enter the unknown.

Another remarkable aspect of "Leaving Scapa Flow - 1940" is the deliberate absence of human figures, a characteristic feature in Ravilus' work that focuses the viewer in the majesty of the natural environment and human constructions. Although humanity is not present explicitly, its presence is suggested through vessels. This approach gives the work a silent contemplation, a meditation on war and waiting.

In terms of technique, Ravilous demonstrates a master's degree in water and pigment management. Overlapping transparent layers create unique depth and dimensionality, as well as an almost ethereal texture. In "Leaving Scapa Flow - 1940", there are soft tonal transitions and skillfully reserved areas, which produce light reflexes on the surface of the ocean, suggesting both calm and restlessness.

Eric Ravilious was deeply influenced by the British environment, and his work expresses the duality of beauty and war. Other of his as "lost in the sea" and "New York coast" also evoke a similar sensation of natural splendor and latent threat of war conflict. "Leaving Scapa Flow - 1940" stands out in his work not only for his aesthetic qualities, but also for his ability to capture a historical moment with a powerful emotional burden.

Ravilus leaves us with a reflection on the transitive and the ephemeral, using the simplicity of its composition and the subtlety of its technique to address large issues. In "Leaving Scapa Flow - 1940", we see not only a nautical scene, but a symbol of resilience and the fragility of humanity before the uncontrollable forces of nature and war. It is precisely this ability to integrate technique, emotion and history that makes Eric Ravilious an artist of invaluable value for the Canon of British art.

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