Jurisprudence - 1887


Size (cm): 75x50
Price:
Sale price₩344,000 KRW

Description

The work "Jurisprudence" by Edvard Munch, painted in 1887, is registered in the context of expressionism, a movement that Munch would help define and that is characterized by the exploration of human emotions and psychological tensions. In this painting, the artist addresses the issue of justice and his intrinsic complexity through a composition that invites deep reflection.

At first glance, the viewer is attracted to the central figure of a woman who represents justice, characterized by the use of a dark color toga that contrasts significantly with the most ethereal and colorful environment. The expression of his face, which seems enigmatically serious, suggests an emotional burden and overwhelming responsibility. Its pose, with the raised hand, seems both a warning gesture and authority, accentuating its role as a central figure in a court that transcends the physical to become an allegory of morality and ethics.

The background of the paint is made up of shapes and colors that seem to flow and distort, suggesting an atmosphere of tension and confusion. Munch uses a palette of intense and emotional colors, predominantly red, yellow and blue, that evoke a sense of anguish and, at the same time, of vitality. The choice of these colors, together with the use of chiaroscuro, grants dynamism to the work, creating a contrast that enhances the figure of justice against a chaotic background.

In this piece we also find the presence of secondary figures, which seem to be witnesses or, perhaps, the accusers, whose silhouettes are reduced to almost ghostly insinuating forms. This resource reinforces the atmosphere of isolation of the central figure and can be read as an implicit criticism of the perception of justice in the society of its time. It is an invitation to question who really support power within a judicial system, since the figures behind the woman seem to blur, both in their form and in their role.

When observing "jurisprudence", personal anguish and thematic agitation that Munch explored throughout his career is better understood. In his works, the artist frequently enters the complexities of the human condition, the interrelation between individual psychology and society. This particular work, although less famous than "the cry", shares with it that essence of restlessness and the search for a sense in the middle of chaos.

Munch painted this work in a period in which his personal life was marked by pain and loss, which surely influenced his vision of reality and his ability to capture the essence of human emotions with such intensity. "Jurisprudence" is revealed as a meditation on moral struggles and the search for a balance in a world that often seems contradictory.

This painting, like other works by Munch, invites introspection and questioning the nature of justice in its broader dimension. The duality of the figure of justice, presented as a symbol of order and, at the same time, of an intense emotional burden, makes this work an unforgettable study on human conflicts. In the context of contemporary art, "jurisprudence" remains relevant, as it reminds us of persistent concern about justice processes and power structures.

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