Arenque - 1918


Size (cm): 75x50
Price:
Sale price₩341,000 KRW

Description

Kuzma Petrov -Vodkin, one of the most relevant artists of the Russia of the twentieth century, offers us in "Arenque - 1918" a penetrating look at everyday life in the middle of the Russian revolution. This apparently simple work becomes a deep testimony of the historical moment and the artist's concerns.

In "Arenque - 1918", Petrov -Vodkin displays a composition that stands out for its precision and balance. The paint shows a humble table on which a small plate, a bottle, a glass and a round bread rests. However, the undisputed protagonist of the scene is a herring placed on a paper that apparently face of tablecloth. The disposition of these elements is meticulous and reflects an exquisite domain of pictorial space.

The use of color in this work is both sober and evocative. Gray and Earth tones dominate the palette, which gives the scene an austere and serene atmosphere. The red of the tablecloth, in contrast to the rest of the colors, brings a warmth and vitality that breaks with the dominant monochromy and, at the same time, winks at hope and resistance. This chromatic choice is not accidental; It responds to the artist's intention to reflect both the scarcity of resources and the strong will of subsistence of the population in times of hardship.

Petrov-Vodkin, in addition to a painter, was an intellectual and humanistic who understood art as a way of translating and communicating human experiences. In the midst of the social and political tumults of the time, the symbolism of the herring acquires a transcendental dimension: it represents the basic, daily, almost insignificant food, turned into a central object of attention. This detail tells us about the simplicity of daily life and how common objects can acquire a deep symbolic value in adversity contexts.

Comparing this work with others from Petrov-Vodkin, such as his famous "Madonna Litta", you can see the continuous interest of the artist in exploring everyday life and spirituality under a contemporary lens. However, unlike the "Madonna Litta", which is loaded with religious symbolism, "Arenque - 1918" focuses on the mundane and immediately accessible. This approach to everyday does not decrease its ability to evocate, but, on the contrary, highlights the greatness hidden in the most common aspects of life.

The artist's technique also deserves attention. Petrov-Vodkin's safe and precise line creates textures that seem almost palpable. The way in which the metal surfaces of the plate and glass of the glass are represented is particularly remarkable. Each brushstroke is loaded with intentionality, revealing the expert hand and the painter's attentive mind.

Ultimately, "Arenque - 1918" is a work that, under its apparent simplicity, hides a wealth of meanings and emotional depth that reflects the mastery of Kuzma Petrov -Vodkin. It is an invitation to contemplate the everyday with new eyes and to recognize the beauty and symbolism that are hidden in the simplest elements of our existence. With this work, Petrov-Vodkin reminds us that, in times of crisis, art can offer us a renewed and deeply human perspective.

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