Self Portrait with Gorget


size(cm): 50x40
Price:
Sale price₩232,000 KRW

Description

The painting "Self-Portrait with Gorget" by the Dutch artist Rembrandt is a masterpiece that has captivated art lovers for centuries. This painting, measuring 38 x 31 cm, is currently in the National Gallery of Art in Washington DC.

One of the most notable features of this painting is Rembrandt's artistic style, which is characterized by the use of light and shadow to create a sense of depth and realism. In this painting, the artist uses a technique known as chiaroscuro, which involves contrasting light and dark to bring out the details and textures of the image.

The composition of the painting is another of its interesting characteristics. Rembrandt portrays himself standing, in armor and a gorget, holding a spear in one hand and a helmet in the other. The artist is placed in the center of the image, with a dark background that gives a mysterious and dramatic air to the scene.

In terms of colour, Rembrandt uses a limited palette of dark, earthy tones, giving the painting a sober and elegant look. The artist uses loose, flowing brushstrokes to create textures and details on the armor and gorget, adding a touch of realism and authenticity to the painting.

The history of the painting is also fascinating. Rembrandt is believed to have painted this work around 1629, when he was about 23 years old. At the time, the artist was at the beginning of his career and trying to establish himself as a renowned portrait painter. This painting is an early display of his skill and talent, and shows his interest in the realistic and detailed representation of the human figure.

Finally, there are little-known aspects of this painting that make it even more interesting. For example, the gorget that Rembrandt is portrayed wearing in the painting is believed to have belonged to his father, who was a miller. Furthermore, it is known that this painting was acquired by the famous French art collector Edmond de Rothschild in the 19th century, and that it was part of his private collection for many years before being acquired by the National Gallery of Art in Washington DC in 1937. .

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