Falls - Headfirst - Into the Abyss (Plate 17) - 1896


Size (cm): 55x75
Price:
Sale price₩347,000 KRW

Description

Odilon Redon's 1896 work "He Falls - Headlong - Into the Abyss" is a haunting convergence of imagination and introspection, a reflection of the complexities of the artist's inner world. Part of his lithograph series, this piece is a profound exploration of the human psyche, a theme that permeates much of Redon's work. Through a dreamlike and often symbolic approach, Redon invites the viewer to dive into an abyss of emotions and perceptions.

The composition of the work is abrupt and dramatic, trapping the observer at the precise moment when an individual is falling into a dark and nebulous abyss. The figure, stylized and almost ethereal, suggests a mixture of vulnerability and despair. The use of color is particularly notable; dark tones predominate, encapsulating the background, creating an ominous and tense atmosphere. The shades of black and gray are juxtaposed with touches of yellow and blue, which seem to highlight the outline of the character and his movement towards nothingness, a resource that Redon uses to emphasize the depth of the abyss he faces.

It is no coincidence that the figure lacks defined features, allowing the viewer to project their own feelings of fear or anxiety into the viewer’s fall. The absence of a face or clear identification system intensifies the experience of unease, as it can be interpreted not only as a sinking individual, but also as a representation of a universal state of mind: existential anguish. The emptiness surrounding the character suggests a metaphorical abyss of dark thoughts, personal crises, or even the search for meaning in a chaotic world.

Odilon Redon, associated with symbolism, uses this work to explore themes of the duality of human existence – beauty and darkness, life and death. Throughout his career, Redon departed from conventional impressionist depictions to forge a distinctive style that evokes a profound sense of surrealism. His work is characterized by a lyricism that defies the tangible, creating a space in which the mystical and the real effortlessly coexist.

"He Falls - Headlong - Into the Abyss" can be seen as a paean to human vulnerability in the face of the unknown. This tension, palpable in the work, reflects the pains and anxieties of the post-Victorian period, a time when certainties were crumbling and humanity was confronted with the abysses of mind and being. Redon, with his ability to capture such deep levels of psychology and emotion, establishes himself not only as a chronicler of contemporary desires and fears, but also as a pioneer in the exploration of symbolism and surrealism that would influence generations of later artists.

Reflecting on this work, one is forced to confront one's own abysses; what Redon offers us is not merely a visual encounter, but an invitation to explore the depths of our own existence. In this sense, "Cae - De Cabeza - Al Abismo" becomes much more than a representation of the act of falling; it is a meditation on the fragility of the human condition in the face of the inexorable attraction of the unknown, a legacy that endures in the collective imagination of art.

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