Death - 1897


Size (cm): 60x75
Price:
Sale price₩363,000 KRW

Description

In 1897, Käthe Kollwitz presented "Death", a work that embodies the master combination of emotion and symbolism that characterizes his work. This painting, of remarkable existential depth, reveals its interest in the human condition and the inexorability of death, a recurring theme in its artistic production. Kollwitz, influential in the expressionist movement, uses his art as a means to explore sadness, loss and suffering, establishing an intimate dialogue between the spectator and the work.

From the compositional point of view, "death" is distinguished by its vertical disposition, where the central character, a skeletal figure that represents death, occupies a prominent, almost threatening position. This obvious skeleton, typical of the representations of death in art, is presented with a visual force that is disturbing. The figure is wrapped in shadows, suggesting both the inevitable arrival of death and the fragility of life. Kollwitz does not spare in drama; The expression of death is almost palpable, challenging the viewer to confront the fear and sadness it evokes.

The palette used in this work is bleak and austere, predominantly the dark tones that evoke an atmosphere of restlessness. This use of color not only contributes to the theme of death, but also serves to intensify the emotion that emanates from painting. While the figure of death is characterized by its skeletal representation, the dark background allows the details of the figure to highlight, creating a strong contrast that reinforces the feeling of desolation.

As for the characters present, the work seems to focus almost exclusively on the figure of death, creating a feeling of isolation. This lonely approach resonates with Kollwitz's vision, who often portrays the individual's struggle against uncontrollable external forces. The lack of other figures can be interpreted as an allegory of human experience, where each individual is ultimately, only in front of their destiny. This loneliness lies in the heart of Kollwitz's message, who puts universal emotions of fear and acceptance to fatality.

Käthe Kollwitz, born in 1867 in Prussia, is recognized for his commitment to social issues and his search for a powerful and moving expression. His work is part of a context where the social and political reality of his time, marked by wars and suffering, molded his artistic sensibility. Compared to other artists of his era, such as Edvard Munch, also influenced by symbolism and expressionism, Kollwitz offers a unique vision that emphasizes shared humanity against sadness and death. His legacy lasts not only in his representations of suffering, but also in his influence on generations of artists and his role as a defender of human rights through art.

"Death" is established as a crucial work in the exploration of the connection between art and human experience. Kollwitz's ability to play issues of such emotional and universal weight, combined with his distinctively expressionist style, continues to resonate to this day. In this painting, death becomes not only an end, but a reminder of the fragility of life, urging the viewer to reflect on their own existence and the inevitable arrival of their own mortality. The strength and honesty of "death" ensure their place as a milestone in art history and a testimony of the deep vision of its creator.

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