Annunciation - 1931


Size (cm): 55x80
Price:
Sale price₩347,000 KRW

Description

The work "Annunciation" by Oleksa Novakivsky, created in 1931, is a clear testament to the mastery of the Ukrainian painter, who stood out in the context of modernism and religious art of the 20th century. Novakivsky is renowned for his ability to combine spirituality and emotion in his compositions, and this painting is no exception, bringing a unique sense of reverence through its treatment of the subject.

In "Annunciation", the elements of the composition are meticulously organized, where the central focus revolves around the figure of the Virgin Mary, who is shown with an expression of wonder and devotion. The figure's expression is marked by a delicate balance between surprise and acceptance, where her eyes convey a deep connection with the divine. In turn, the angel Gabriel, also present in the work, is located to the left of the Virgin. Although his figure is barely visible, his presence is felt through his gesture and the light that seems to emanate from him, suggesting the importance of the message he brings.

One of the most notable features of this work is the use of colour. Novakivsky uses a colour palette dominated by warm, golden tones, creating an almost ethereal aura around the scene. These vibrant colours contribute to the creation of a heavenly ambiance, accentuating the sacred atmosphere of the Annunciation. The contrasts between the light tones surrounding the figures and the darker background enhance the importance of the characters, fulfilling a dual role: at the same time they frame and highlight the central narrative of the scene.

Novakivsky's technique is characterized by a meticulous handling of light and shadow, which can be seen in the folds of the Virgin's garment and in the glowing halo surrounding the angel. The way the light interacts with the elements of the painting not only gives three-dimensionality to the figures, but also symbolizes the divine nature of the message of the Annunciation. The gradation of tones and luminosity give the work an almost sculptural quality, allowing the viewer to immerse themselves in the experience of the moment depicted.

Novakivsky's style, which often combines elements of symbolism and realism, is manifested in "Annunciation" through its focus on spirituality, an aspect that resonated with the audience of his time, especially in a context where Ukraine's cultural and religious identity was in search of reassertion. The work evokes a reflection on faith and transcendence, inviting the viewer to contemplate the nature of the divine and its manifestation in human life.

The Annunciation is not only a depiction of a significant moment in the religious sphere, but is also an outstanding example of Ukrainian modernism, where Novakivsky manages to fuse tradition and modernity. The work invites a dialogue between the sacred and the everyday, and establishes a bridge between the viewer and the spiritual theme it addresses. The depth of the work, its attention to detail and the emotional expressiveness of its figures continue to capture the attention of art lovers, thus showing the enduring relevance of the message of the Annunciation in the history of art.

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