Self -portrait - 1874


Size (cm): 55x60
Price:
Sale price¥35,000 JPY

Description

In 1874, Ivan Aivazovsky, one of the greatest masters From marine art, he created a self -portrait that differs greatly from his prolific marine work. This portrait offers us a singular introspection in the soul and personality of the Russian artist. Far from its usual marine storms and maritime landscapes in which the wind and waves seem to come to life of their own, this time we face its reflexive and deep gaze, a more personal and introspective inner world window.

The composition of this "self -portrait" is a paradigm of balance and sobriety. In this work, Aivazovsky uses a dark, almost black background, which significantly contrasts with the clarity and luminosity of the painter's face. This technique, widely used in the painting of portraits of the nineteenth century, manages to focus all the attention on the facial expression of the subject, allowing the viewer to connect directly with their penetrating and meditative gaze.

The use of color in paint is subtle but effective. Aivazovsky is portrayed with a restricted color palette, in which the brown and terracotta tones of his hair and beard predominate, as well as the pale nuances of his skin. Lighting is a key aspect in this portrait: a side light source gently illuminates the left side of its face, leaving the other side in the shadow, which adds an air of mystery and psychological depth.

Aivazovsky's face, meticulously detailed, transmits a mixture of serenity and seriousness. It is as if the painter was evaluating the observer with a mixture of introspection and nobility. The eyes, the true emotional center of the work, are eloquent and seem to contain a whole universe of thoughts and experiences. The expression of the mouth, with his lips slightly curved down, suggests a certain melancholy, perhaps a reflection on the numerous vicissitudes of a life given to art.

It is fascinating to highlight the technique with which Aivazovsky has worked the details of his hair and beard. Each brushstroke seems to have been applied with great care to reflect the texture and volume of the hair. This degree of detail is contrasted to the simplicity of the rest of the portrait, whose smooth background does not distract from the protagonist, but framed it ideally.

Ivan Aivazovsky, mainly known for his almost magical domain of water and heaven in his marine landscapes, surprises with this portrait for his ability to capture humanity and the essence of his own person. The austerity and frankness of this work demonstrates that its talent was not limited to maritime epic, but that it could also capture its own being with remarkable sensitivity.

In short, this "self -portrait - 1874" not only shows us the artist's technical skill, but also invites us to an intimate dialogue with Aivazovsky, allowing us to glimpse the man behind the waves and storms that defined his career. This portrait is a reminder of the power of art to transcend beyond the usual themes of an artist, revealing the multiple facets of its creativity and emotional depth.

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