Relief - 1913


Size (cm): 50x60
Price:
Sale price¥35,100 JPY

Description

Vladimir Tatlin, one of the pioneers of Russian constructivism, presents us in his work "Relief - 1913" A bold example of the transition of plastic arts towards a new spatial and material dimension. This piece, located on the threshold of constructivism, transcends the two -dimensional limits of traditional painting and enters the sculptural territory, reflecting an insatiable search by the artist of new forms of expression and representation.

"Relief - 1913" It is a composition where three -dimensionality takes a predominant role. With the use of wood elements, Tatlin defies the established conventions, imbued with a revolutionary conception of art as a space in which industrial materials and geometric structures symbolize modernity and progress. In this work we do not find the characters or the traditional figurative narratives; On the contrary, an abstract speech is displayed that invites the viewer to a visual and tactile experience based on texture and volume.

Simple chromatic contrast and raw materials highlight the purity of geometric shapes. The predominant tonalities oscillate from the brown of the wood and the native of the canvas on which these elements are mounted, generating a serene but powerful harmony. The disposition of diagonal elements introduces a dynamic that breaks with the static of the pictorial plane, immersing the public in a visual exploration that transcends the surface.

Tatlin, influenced by his formation as an iconic painter and the revolutionary artistic climate of the early twentieth century, imbued his reliefs with an approach that amalgamates elements of painting, sculpture and architectural design. This visual language is the precursor of its most famous project, the "monument to the third international", where constructivism finds one of its most sublime manifestations and where revolutionary utopia translates into a complex architectural proposal.

The relevance of "relief - 1913" lies not only in its aesthetic value but also in its contribution to the discourse of modern art. This relief opens a door to a new conception of artistic space, where the function, structure and material acquire their own language. It is an invitation to reflect on the role of art in society and the paths for which the avant -garde of the twentieth century redefine artistic creation.

The influence of Tatlin and his work extends beyond Russian borders, impacting contemporary movements and inspiring artists who seek to interrogate and challenge the limits of conventional artistic practice. Their reliefs, and in particular "relief - 1913", are erected as a testimony of a period in which art was a crucial agent of social and cultural change, a period in which the utopia of the construction of a new world found in Artistic creation its most vibrant and bold reflex.

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