The city gets up - 1911


Size (cm): 75x50
Price:
Sale price€223,95 EUR

Description

The work "The city rises" (1911) by Umberto Boccioni represents a clear exponent of futuristic art, a movement that sought to capture the intensity of dynamism and modernity of the twentieth century. Boccioni, central figure of this movement, was proposed, through this painting, to explore the transformations of urban life in a context of accelerated industrialization and urbanization. This painting It encapsulates the essence of a historical moment in which the machine and man began to intertwine irreversibly, generating a new social and aesthetic order.

The composition of the work is remarkably dynamic. Through a palette of vibrant colors, the rhythmic tones of blue, yellow and red predominate, which are intertwined to create a sense of movement. The figures in the paint seem to come together towards a central axis, where the emerging building, symbol of growth and modernity is glimpsed. Diagonal lines and angular forms become visual elements that suggest constant speed and change, a reflection of urban life in pulsating movement.

In the work, you can see a series of characters that seem to participate in the construction of the city, representing the proletariat and the workforce necessary for the development of modern society. These figures are treated with a sense of volumetry that stands out for the application of the chiaroscuro technique, or the use of lights and shadows that provide depth and an almost three -dimensional sensation. The bodies are intertwined with the environment, suggesting a fusion between the human being and the mechanical structure of the city that rises before them.

One of the most intriguing aspects of "the city rises" is its ability to convey the emotion and spirit of progress through what some critics have called "a poetic of energy." Boccioni, like other futurists, advocated an art that not only represented reality, but also lived it, that would be impregnated with the experience and rhythm of modern life. This work, therefore, is not only a portrait of the construction of the city, but a visual manifesto that resonates with the ideas of futurism about the development, strength and imperative of change.

Throughout his career, Boccioni explored various techniques and styles, but in "the city rises" a consolidation of its aesthetic search can be observed, where the shape becomes content and the bridge between figuration and abstraction is made more evident. This work, like others in his corpus, reflects the transformation of the artist who, in a brief but fruitful period, managed to land on the canvas the concerns of an era in constant transformation.

In conclusion, "the city rises" is a fundamental work that not only captures a specific moment in art history, but also stands as a witness of the social and technological changes that marked the beginning of the twentieth century. Umberto Boccioni's vision remains relevant, inviting us to reflect on the interrelation between the human being, the machine and urban growth, a topic that continues to mark our present. When contemplating this work, we witness the energy emanating from the cities at the time of its creation, an energy that, more than a century away, still resonates in the pulse of contemporary life.

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