Natural study for the portrait of King Alfonso XIII


Size (cm): 50x60
Price:
Sale price€195,95 EUR

Description

The work "Study of the Natural for the portrait of King Alfonso XIII", by Ramón Casas I Carbó, is registered within the tradition of the real portrait, a practice that, throughout the history of art, seeks so much to capture physical semblance of the monarch as evoking his person and status. This painting, which represents a preparatory study for the final work that the artist would make of the king, stands out for his focus on direct observation and detail attention, distinctive characteristics of house style.

In the center of the Canvas, the king appears in a pose that transmits a mixture of formality and closeness. His face, the most prominent element of the work, is modeled with a skillful use of light and shadow that not only highlights the texture of the skin, but also provides great emotional depth. The intense and direct look of the monarch can be interpreted as an attempt to connect with the viewer, revealing not only his power, but also his humanity.

The composition of the paint is characterized by a balanced use of space and proportions. Casas makes the king's figure the central focus, framed by a neutral background that does not distract the viewer's attention. This background treatment that we could describe as austere and sober allows the real figure to display all its splendor, highlighting the rich and detailed clothing that Alfonso XIII holder, subtly reflecting the aristocratic costume of the time.

The color plays a fundamental role in the work. The conservative palette, composed of land and gold -nuances, contributes to transmit a sense of dignity and formality. This, added to the touches of lights that highlight the folds of the clothing and brightness of the king's hair, provides a sense of realism that connects this work with the tradition of the classic portrait. The pictorial treatment resembles that of other contemporary portraitists, although the style of houses shows a freshness and modernity that anticipate the changes that Spanish painting would experience in the twentieth century.

Ramón Casas, known for his ability to capture the essence of his models, designs in this study a portrait that goes beyond the simple technical exercise; seek to tell a story. Although the work is a preliminary study, it makes the viewer perceive the richness of the expression and character of the king, an essential objective of the portrait.

When considering the importance of "study of the natural for the portrait of King Alfonso XIII", it is essential to recognize the context in which it is located. Ramón Casas, a master Of the Catalan modernism, it is distinguished by its ability to merge traditional themes with a contemporary approach, which allows it to capture the psychology of its models in an innovative way. This piece not only highlights its skills as a portraitist, but also serves as a reflection of the social and cultural transformations that were happening in Spain during their life.

In the broad corpus of real portraits, this study is in a unique place, not only as an example of Ramón Casas's work, but as a window to the time of Alfonso XIII, a period marked by the changes and challenges that shaped The contemporary history of Spain. The work invites a reflection on the art of portrait, power and representation, proposing a vision that transcends the mere label of a preliminary study, becoming a testimony of its time.

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