Padón Ul? 1925 - 1925


Size (cm): 55x75
Price:
Sale price€228,95 EUR

Description

In the painting "Padón Ul? 1925" by Hugó Scheiber, we find a work that synthesizes the avant -garde concerns of the first half of the 20th century. Scheiber, a Hungarian-Jewish artist known for his association with the futuristic movement and expressionism, manages to capture the pulse of the urban rhythm and the dynamic energy of modernity through a series of carefully orchestrated visual elements.

The composition of "Padón Ul? 1925" is characterized by the diagonal and asymmetric disposition of the forms and figures, generating a sense of controlled imbalance that is essential to transmit the emotional intensity of the painting. In the center, a human figure stands out that seems to be sitting in a bank (probably the representation of the "Padón" of the title), with the arms extended upwards, in a gesture that suggests both despair and ecstasy.

The use of color in this work is particularly remarkable. Scheiber uses a bold and contrasting palette; The red, blue and yellow tones stand out vividly against a darker background, thus creating a luminosity that amplifies the viewer's emotion. The colors seem almost undulating around the central character, as if they were vibrating with the energy of own urban life and the growing industrialization that so much fascinated and disturbed the artists of the period.

Beyond color, Scheiber introduces curved lines and geometric shapes that give an almost kinetic quality to paint. The undulating and resounding lines not only frame the central character, but also act as a device to guide the eye through the canvas, facilitating a rapid and dynamic reading of the work. This is clearly a debt with its closeness to futurism, a movement that sought to represent the dynamism and speed of the modern world.

Unlike other artists of their time that also explored the human condition and modernity through the prism of the machine and urbanism, Scheiber maintains a palpable connection with the figurative. The figure in "Padón Ul? 1925" is not completely dissolved in abstractions; We can still identify your humanity, which allows an emotional anchor point for the viewer.

The background of the painting is almost as disturbing as its central figure. Insinuated architectural elements and semicircular forms remember the omnipresent presence of the city, but these elements also merge almost dreamlike, creating an environment that oscillates between the tangible and the ethereal. The use of these forms and fragmented structures reflects the psychological fragmentation that Scheiber and many of their contemporaries perceived as inherent to the modern experience.

In summary, "Padón Ul? 1925" by Hugó Scheiber is not only a celebration of the form and color, but a deep meditation on the human condition at the dawn of the twentieth century. By keeping a foot in the figurative while exploring the formal vocabulary of the avant -garde, Scheiber offers a work that is both accessible and deeply innovative. Painting is an eloquent testimony of its ability to merge multiple influences in a distinctive visual language that continues to resonate strongly in the contemporary spectator.

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