Dresden Mary Wigman School Dance Group - 1926


Size (cm): 75x55
Price:
Sale price€227,95 EUR

Description

The painting "Dance Group of the Mary Wigman School of Dresde" by Ernst Ludwig Kirchner, created in 1926, is erected as a fascinating testimony of the encounter between art and dance during the effervescent era of expressionism in Germany. In this work, Kirchner captures the vital energy and dynamism of the moving bodies, essential for the interpretation of the new language of modern dance that represented the figure of Mary Wigman.

The composition of the work reveals a meticulous attention to movement and form. On the canvas, there are several dance figures that seem to move in a choreography of intense expressiveness. The dancers's postures are articulated in such a way that they invite the viewer to feel the rhythm of dance, leading it to an almost synesthetic experience. The arrangement of the figures in space offers a sense of depth and reiterates the superiority of the action on rest, a fundamental element in the modern dance that Kirchner himself lives.

The color in this painting is another aspect that deserves a special mention. Kirchner opts for a vibrant and contrasting palette that reflects the emotional intensity of Wigman's dances. Red and blue nuances predominate, creating a contrast that evokes a sensation of electric and passionate movement. The choice of these colors is aligned with the aesthetics of expressionism, where tones are not only a representation of reality, but a subjective interpretation of emotion.

The figures that inhabit this work have stylized and agonized characteristics, adjacent to the approach that Kirchner had throughout his career. Its treatment of proportions in the bodies is often distorted, which enhances the sensation of restlessness and internal strength present in expressionist art. The look of the characters is often introspective or distant, perhaps reflecting a connection with an internal experience rather than with the external environment.

Regarding Mary Wigman's dance school, her approach focused on the body as a vehicle of pure emotional expression, freed from the limitations of classical dance. Kirchner, by portraying these dancers, not only immortalizes an artistic moment but also enters a dialogue about the body, emotion and expression through painting. His connection with the modern dance of his time resonates strongly, since he seeks to capture not only the exteriority of the movements, but their deepest essence.

Through this work, Ernst Ludwig Kirchner not only affirms his mastery as a painter, but also establishes a bridge between different artistic forms, thus reinforcing the reciprocal influence between painting and dance. "Dorsde Mary Wigman School Dance Group" becomes, therefore, a visual manifesto of a particular artistic, social and cultural moment, in which the search for new forms of expression multiplied the creative possibilities and broke with the established standards. The work remains a vibrant testimony of the transforming power of dance and the way in which art can challenge and reconfigure our perception of movement and emotion.

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