A plate of its 'Travel' service designed for Wedgwood


Size (cm): 50x50
Price:
Sale price€174,95 EUR

Description

Eric Ravilious, an illustrious British painter and designer of the twentieth century, created "a dish of his 'Travel' service designed for Wedgwood" with a clear inclination towards simplicity and aesthetic harmony. This piece, which is part of a series of ceramic designs for the renowned firm Wedgwood, masterfully summarizes the conjunction between functionality and beauty that characterized many of Ravilious's works.

The work, which represents a dish, is impregnated with a distinctively modern style and captures an air of nostalgic elegance and technical domain. The design presents a moving train, encapsulating the essence of the trip, central element of the series. The details of the train, such as the locomotive with her smoke drawn with delicate curved lines, reflect the expertise of Ravilus in the incorporation of everyday themes in a utilitarian art, making the railway reason a subject of aesthetic contemplation.

Ravilus used a limited palette of soft colors, predominantly in bluish and terrible tones, which not only evokes a feeling of idyllic serenity but also highlights the tonal qualities of the ceramic material. This selective use of color is a wink to the tradition of English decorative ceramics, less focused on vibrant chromatism and more on the creation of contrasts and textures through simplicity.

The design of the dish not only captures the essence of the movement but also the line and the perspective of the initial modernism of the twentieth century. The representation of the landscape with the train in perspective twenty and the naturalistic elements indicate a domain and respect for the spatial perspective. This is reinforced by the soft curvature of the lines that provide a magnificent sense of interrupted action, perpetual and continuous flow trip.

Although the work does not have human characters, the train and the landscape by themselves tell a history of progress and mobility, recurring themes during the era in which Eric Ravilious developed his career. It is in the absence of human figures where the universality of the trip intensifies: the train, as a symbol of modernity and change, playing a main role.

The "Travel" series designed for Wedgwood not only highlights the artistic genius of Ravilus but also its ability to make art an integral part of everyday life. This confluence of art and utility suggests a democratization of art, taking it beyond galleries and museums to the home and table of people. When observing the dish, one can only marvel at the subtle elegance with which Ravilus manages to transform a daily object into a contemplative and emblematic work of art.

Eric Ravilious died prematurely during World War II, which truncated a career that promised even more significant contributions to British modern art. However, their designs, especially their collaborations with Wedgwood, remain as a testimony of their legacy and are remembered as a perfect bridge between art and everyday life.

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