A miniature painting of Iskandarnama - 1495


Size (cm): 50x75
Price:
Sale price€222,95 EUR

Description

The work "A miniature painting of Iskardama" by Kamal Ud-Din Behzad, dated in 1495, is an exquisite example of Miniaturist Persian art and a manifestation of the deep talent of its author, considered one of the greatest painters of his time. This work is part of the "Iskardanama", a Persian biblical epic that tells the life of Alexander the Great, a recurring theme in Persian literature and art. Behzad's work not only captures the essence of literary narrative but, through its pictorial technique, it offers visual access to the rich iconography of the time.

In painting, attention is quickly directed towards the careful composition that Behzad uses to guide the viewer's gaze through multiple narrative planes. The characters are organized in a dynamism that brings to life the story that is told: a group of figures can be observed in the foreground, while secondary scenes emerge in a subtly detailed background. This use of space is emblematic in the Persian miniature, where each element is deliberately chosen to contribute to the global narrative of the work.

The colors used are vibrant and carefully selected, reflecting Behzad's mastery in the use of the palette. Deep and gold blue tones shine with a luminosity that not only beautifies painting, but also connotes value and nobility, characteristics that are often associated with the representations of heroic figures in Persian art. The clothing of the characters, richly decorated and nuanced, can be studied as examples of the fashion and aesthetics of the court of the Timúrida era, highlighting the opulence and refinement of Persian culture.

The characters in the work maintain an expression of dignity and emotion, which is crucial for the development of the narrative. Attention to detail in facial expressions and in the position of bodies shows a deep understanding of human psychology. Thus, Behzad not only illustrates a scene, but invites the viewer to participate in the story, to empathize with the characters and explore their emotions.

A notable characteristic of this piece is its fusion of the historical and the fantastic. Although it tells the life of a real character, Behzad incorporates imaginative elements that raise the narrative to the epic. This approach is not just a reflection of the literary environment in which he worked, but connects to pre-monongoles artistic traditions, where the mythical nature of the stories was transformed into visual representation.

Behzad's work is unique by capturing the specific moment of Alexander the Great's life when he is confronted by powerful forces, symbolizing struggle and triumph. This symbolism, combined with Behzad's technical mastery, results in a piece that not only serves as a testimony of his genius, but also as an indelible legacy of Persian art.

Thus, "a miniature painting of Iskardama" is recognized not only for its aesthetic beauty, but for its deep historical and cultural burden. Through the lens of Behzad, we are transported to a world where narration is intertwined with visualization, celebrating not only the inheritance of Persian art, but also the vitality of human stories that still resonate today.

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