WOMEN SUBSING - 1913


Size (cm): 55x85
Price:
Sale price38.800 ISK

Description

Kazimir Malevich, a central figure in the Russian avant -garde, offers us in 1913 an intriguing and captivating work entitled "Woman sewing". In this painting, Malevich displays its ability to synthesize shapes and colors in an innovative way, marking an essential point in its artistic evolution towards suprematism, although this work still maintains obvious links with its previous stage.

When observing "Woman sewing", it is inevitable to perceive the strong influence of Cubism and futurism, artistic currents that Malevich explored deeply before developing her own visual language. The figure of women, although fragmented and abstract, remains recognizable thanks to the geometric disposition that creates a feeling of dynamism and movement. Here, Malevich does not seek to capture a realistically detailed portrait; Instead, it breaks down the shapes in a series of plans and angles that allude to the manual activity of the sewing act.

The color palette in "Woman sewing" is another fascinating facet of the work. Malevich uses a range of ocher terrible colors, brown, and neutral tones with blacks and white contrasts. This chromatic choice not only provides a depth and visual wealth, but also evokes some warmth and daily life, connecting the viewer with the traditional and often feminine theme of the act of sewing. The painting manages to balance abstraction with an implicit narrative, a testimony of the artist's ability to merge the modern with the mundane.

They also highlight the rectangular and triangular forms that structure the composition. These geometric, characteristic of Cubism, suggest a fragmented vision of reality, as if Malevich were inviting the viewer to rebuild the image in his mind. The lines, although not necessarily defined in conventional way, create a visual rhythm that guides the look throughout the work.

In the context of art history, Malevich is better known for founding suprematism, a movement that seeks the supremacy of pure sensation in art through the use of basic geometric shapes and limited colors. Although "women sewing" is not a supreme work in itself, it is a precursor that shows the beginnings of its interest in simplification and abstraction.

Malevich's work, including "Woman sewing", reflects a significant transition in the art of the twentieth century, where the representation of reality begins to give space to more subjective and conceptual forms of expression. paintings Similar from this period in Malevich's career, such as "The lumberjack" (1912-1913) and "the sharpener of knives" (1912-1913), they also exhibit this mixture of the cubist and the futuristic, suggesting that Malevich was in a Continuous search for new ways to see and represent the world.

With "Woman sewing", Kazimir Malevich invites us not only to observe a day -to -day scene, but to reimagine it through a fractured, geometric and color -rich lens. It is a masterful example of how a simple and domestic act can be transformed into a bold and deep exploration of forms and emotions.

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