Riddarfjärden in Stockholm - 1898


Size (cm): 55x60
Price:
Sale price32.700 ISK

Description

The work "Riddarfjärden in Stockholm" by Eugène Jansson, painted in 1898, is located at a crucial moment of the evolution of Swedish painting, where the symbolism and the use of a vibrant color palette were found in the composition of landscapes in a Bold dialogue with the natural and the urban. Jansson, a prominent representative of Scandinavian symbolism, portrays in this piece the famous fjord that runs through Stockholm, offering an intimate and poetic vision of their surroundings.

The composition of the work is remarkable for its clarity and structure, guiding the viewer's gaze towards the horizon, where the sun looks out in a twilight that bathes the scene with a soft light. The arrangement of the elements in the paint suggests a harmonious balance: water reflects the warm tones of the sky, while the buildings on the shore, with their elongated silhouettes, add a sense of verticality that contrasts with the horizontality of the fjord. This dialogue between water and buildings underlines the merger between nature and architecture, a recurring theme in the art of that time.

The colored palette that Jansson uses is rich and evocative. The tones of deep blue water are mixed with golden nuances and oranges that characterize the sky in that magical moment of sunset. This chromatic variety not only highlights the natural beauty of the place, but also causes an emotional response, inviting the viewer to immerse themselves in the quiet and dreamy atmosphere that Jansson manages to capture. The use of color in this work moves away from photographic realism, instead exploring a more sensory and subjective approach, typical of symbolism, where the authentic essence of the scene is transmitted through emotion and hue.

It is interesting to observe that, although painting does not show human figures, the sense of presence through architecture and water suggests a community experience. Jansson often interested in loneliness and isolation, obvious topics in other of his works, and here, the absence of human characters reinforces the notion of a serene and almost introspective world. Each element in "Riddarfjärden in Stockholm" seems to tell a part of the history of the city, its inhabitants and its relationship with the natural environment.

The work also resonates within the broader context of the Swedish art of the period, where movements such as symbolism and modern art began echoing artists. Jansson, who was a pioneer in the representation of urban landscapes nuanced by a poetic atmosphere, shared this approach with other contemporaries, who also explored the relationship between the light and the form in their representations of nature and urban life.

"Riddarfjärden in Stockholm" is not only a testimony of the technical ability of Eugène Jansson, but also encapsulates a moment in the history of art where the search for emotional experience prevails over the mere visual representation. This work invites reflection on the interconnection of the natural and the built, and remains a powerful reminder of the beauty found in the relationship between landscape and humanity.

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