Portrait of Enrique VIII - King of England - 1535


size(cm): 50x75
Price:
Sale price34.800 ISK

Description

The "Portrait of Enrique VIII - King of England", painted by Hans Holbein the young man in 1535, is one of the most emblematic works in the history of the portrait in the painting of the Renaissance. Holbein, of Swiss origin, settled in England, where he became the official portraitist of the Court. In this painting, not only captures the magnificence of the monarch, but also uses a series of stylistic elements that delineate their mastery as a portraitist.

The central figure of the work, Enrique VIII itself, is presented in an upright and authoritarian position, with an expression that radiates power and control. One of the most notable characteristics of this portrait is the way Holbein plays with light and shadow, creating a three -dimensionality that accentuates the robustness of the king. The lighting comes mainly from one side, which highlights the facial features of the monarch and highlights its beard and hair, elements that contribute to the image of virility and strength.

As for the composition, the portrait focuses on the figure of Enrique, whose ostentatious wardrobe, adorned with rich brocades and a black mantle, is a testimony of status and wealth that the king represented during his reign. The thorough details in the preparation of their clothing, such as the use of rich colors and complex textures, reflect not only Enrique's personal taste, but also Holbein's ability as a meticulous observer and his technical mastery. The dark background of the painting causes the king's figure to highlight even more, a technique that Holbein used to emphasize the importance of his portrayed.

The color palette used in this work is particularly significant. The combination of blacks, gold and red not only evokes the opulence of the king, but also serves to counteract the sobriety of the background, helping to highlight the image of the monarch. This use of color is part of the distinctive style of Holbein, which managed to balance visual wealth with a sense of character and personality in its subjects.

There are no additional characters in the composition, which reinforces the idea that attention should focus completely on Henry VIII. However, the absence of other characters allows the spectator to contemplate the greatness of the king in his loneliness, creating an atmosphere of introspection and reverence. This unique approach in the king's figure is characteristic of the Renaissance portrait, where the individual is celebrated as a symbol of power and dignity.

The portrait also has a significant historical context. Created at a time when Enrique VIII was in the apogee of his power, the painting captures not only the king's physiognomy, but also the symbolism of his reign, marked by religious reforms and political changes. Holbein, when portraying Enrique in this way, immortalizes a ruler who altered the course of English history, turning his figure into an icon of monarchical power.

Through this portrait, Hans Holbein the young man establishes himself not only as an artist of great technical skill, but also as a social commentator of his time. Holbein achieves in this work a synthesis between personal representation and historical transcendence, which continues to resonate to this day. His ability to capture not only the appearance but also the essence of King Enrique VIII makes him one of the most prominent portrays of the Renaissance and his work in a milestone of Western art.

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