Las Mothers - 1922


Size (cm): 60x60
Price:
Sale price33.600 ISK

Description

Käthe Kollwitz, one of the most representative artists of the twentieth century and a powerful voice that rises in defense of social injustices, created in 1922 his work Los Mothers, a oilcles that has endured in time as a moving testimony of the Maternity and human suffering. This painting is not only inscribed in the panorama of German expressionism, but also investigates the depths of emotions against war and the painful reality of loss.

In the work, Kollwitz gives life to a group of women who, in a gesture of lamentation and solidarity, are intertwined in a fragile hug. The composition is remarkably compact and loaded with meaning, since the female figures are noted by each other, creating a visual link that resonates with the universality of maternal pain. This physical and emotional closeness transmits a sense of mutual support, an instinctive response to adversity. The face of each mother is presented with an expression of deep anguish, reflecting not only their personal suffering, but also that of all women who have lost their children. The gesture of their hands and the inclination of their heads enhance the intensity of the moment, capturing the essence of a shared experience of loss and despair.

The color palette chosen by Kollwitz for mothers is sober and predominantly dark, using gray and black tones that evoke a feeling of heaviness and gravity. This color choice is not simply aesthetic; Rather, act as a vehicle to intensify emotion. The use of deep shadows suggests an atmosphere of mourning, while light touches seem to emphasize mothers' faces, highlighting their humanity despite the suffering they face.

Kollwitz, who lost his son in World War I must have felt a deep sense of urgency when creating this work. His personal life, marked by tragedies, is intertwined with his art, offering a rich and moving context. The artist never deviated from her social commitment, using her work to explore issues of suffering, poverty and human condition. Mothers encapsulates this dedication and rises as an icon of resistance and sorority in times of crisis.

This work is also located within a series of Kollwitz works where the issue of motherhood and duel are recurring. His style, which combines emotional expression with a precise technique, invites the spectator to contemplate not only the image presented, but also to reflect on his own place in the narrative of humanity. Works such as war or the mother complement the dialogue that mothers establish, linking their artistic talent with an incisive social criticism.

In conclusion, Käthe Kollwitz's mothers is not only a masterpiece of expressionism, but also a testament of pain and maternal resistance. Through its powerful composition, its evocative use of color and its ability to represent the shared experience of the loss, Kollwitz manages to create a palpable emotional connection with the viewer. In a world that often seems indifferent to the struggle of women and human suffering, his work resonates with unwavering relevance, reminding us of the deep interconnection that exists in our shared humanity.

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