In Lappenbrink - 1899


Size (cm): 55x75
Price:
Sale price36.500 ISK

Description

The painting "in Lappenbrink" by Piet Mondrian, created in 1899, is presented as a representative work of the artist's beginnings in his search for the visual expression that would later evolve towards the strictly abstract. This work captures a landscape scene in which elements of naturalism are glimpsed, before Mondria adopted their famous geometric style characterized by straight lines and primary colors. In painting, luminaires can be distinguished elements that seem to be trees and a diffuse horizon, which suggests a connection firmly rooted with nature.

The influence of impressionism is palpable in the technique used; The brushstrokes are visible and suggest movement and texture, achieving an almost ethereal atmosphere. This approach is a reflection of the aesthetics of its time, where the objective was rather to capture the light and color that the rigid shape. However, what stands out in "In Lappenbrink" is the way Mondrian manages to transmit a quiet and contemplative atmosphere, inviting the viewer to immerse himself in a moment of serenity and abstraction.

The colors in the paint are soft and terrible, predominantly the greens and ocher, which evoke the essence of the rural landscape. The palette is not strident, but it is deeply effective in the way it creates a sense of depth and dimension. The composition is organized in a set of plans that overlap, generating a visual harmony. Through this work, you can see the seeds of the compositional methodology that Mondrian would adopt in their subsequent works, where the simplification and the search for the essence become the core of their artistic research.

Although "in Lappenbrink" does not include characters in a conventional figurative mode, the presence of forms that allude to life and the human environment are evident through the representation of the landscape. In this sense, the work can be seen as a kind of bridge towards the future of modern art, where the line between the real and the abstract begins to blur.

Compared to contemporary works of impressionist or post-impressionist artists, "in Lappenbrink" is a precursor to the trend that would later lead Mondrian to experiment with the abstract. The connection with nature and the use of color are lessons that will later be fundamental in their vision of art.

In summary, "in Lappenbrink" offers us a fascinating look at the first steps of Piet Mondrian, where naturalism faces the emerging abstraction. Although it cannot be classified within his best known work, this piece is testimony to the growth and development of one of the most influential artists of the twentieth century. It is a work that invites us to reflect on the beauty of nature and its ability to influence art, a theme that Mondrian will evolve and reinterpret throughout his career.

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