Description
The painting "female figure - 1932" of the famous avant -garde artist Kazimir Malevich is a precise exemplification of the author's transition and personal evolution towards a more figurative representation after his notable years of experimentation with suprematism. By carefully observing this work, we find a female figure that, although evidently simplified in terms of form and detail, presents a symbolic and aesthetic burden that invites contemplation and analysis.
Malevich, founder of suprematism, movement that is characterized by geometric abstraction and the supremacy of color and pure shape, shows in "female figure - 1932" a different approach, although not quite detached from its previous principles. The figure is geometric and decomposes in flat color areas, with an obvious simplification that refers to the suprematist reduction, but, at the same time, seeks to resume the human form within that formal austerity.
The use of color in this work is crucial. The figure is composed of mostly primary colored blocks: we see the red, blue, yellow, complemented by white and black predominant. These colors not only give life to the figure, but also seem to emanate a particular vibration, loaded with psychological and emotional meaning. The disposition of colors and shapes also reminds Russian popular art, a clear influence on many of Malevich's works, especially in his return stage to figuration.
In terms of composition, the figure remains erect and central, dominating the canvas with an almost monumental presence. This centrality and frontality are characteristics that Malevich adopts to create a direct and immediate connection with the viewer. The female figure does not have defined facial features, which generates a sensation of universality and anonymity, allowing anyone to be reflected in it. This ambiguity is intentional and seeks to transcend individuality to capture a more general human essence.
The background of the paint is an indefinite space, of a light color, almost neutral, which serves to focus all the attention on the figure. This void around the figure can be interpreted as a metaphor of the state of isolation or introspection of the human being, or perhaps an attempt by the author to highlight the purity and simplicity of human existence, stripped of any external context or distraction.
Kazimir Malevich remains a figure that overflows enigma and complexity. His work "Female Figure - 1932" offers a fascinating window towards his creative mind and his constant struggle to reach the essence of shape and color. This painting, Although it may seem a step back towards figuration after its radical suprematism, it is actually a deepening in the search for pure essence. It is a testimony of how Malevich never stopped experimenting and bringing its art to new borders, even within apparent simplicity.
In retrospect, "female figure - 1932" it is not only a work that summarizes several elements of Malevich's artistic trajectory, but also a reflection of its ability to fuse abstraction with figuration, creating a work that remains relevant and evocative until Today.
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