Fanaticism Victim - 1899


Size (cm): 75x55
Price:
Sale price37.200 ISK

Description

The work "Victim of fanaticism" (1899) by Mykola Pymonenko is a powerful and moving representation that reflects the tension and pain caused by intolerance and fanaticism. In this painting, Pymonenko uses a carefully balanced composition to transmit a visual narrative that evokes the individual's anguish in a context of conflict. The scenario is established in a hilling space, where the central figure, a woman of serene expression, is trapped between the horror of fanaticism and her own humanity. His traditional clothing and position reveal both vulnerability and resilience to the adversities of his world.

The color palette used by Pymonenko highlights the drama of the scene. Dark and saturated tones dominate the composition, emphasizing the character's emotional state. The contrast between light and shadow deepens the sensation of imminence and suggests an environment of oppression. The woman, illuminated dimly, becomes the focus of attention, symbolizing the fragility of life in the face of the brutality of extreme ideologies. In the background, unfocused figures appear to be aggressors or witnesses, contributing to the narrative a burden of tension that suggests the imminence of violence.

Pymonenko, an outstanding Ukrainian artist of the realistic movement, is known for his ability to capture the essence of his subjects and the surrounding environment. "Victim of fanaticism" aligns with its interest in social issues, where humanity and suffering are recurring representations. His focus on everyday life and the experience of the individual in the face of difficult circumstances becomes evident in this work. This painting Not only presents a vivid reflection on oppression, but it is also a comment on the role of art as a form of resistance and a testimony of the struggles of the time.

The painting is in a tense historical context, where nationalism and political extremism began to demonstrate in various parts of Europe, especially in the territories of ancient Russia and Ukraine. Pymonenko, committed to his environment, transmits through his art a call for attention to injustices, a theme that resonates in the work of other contemporary artists who had also addressed the theme of human suffering in periods of conflict.

The technical mastery of Pymonenko can be observed in detail attention, from the texture of women's clothing tissues to facial expressions that transmit a mixture of resignation and dignity. The visual narrative that Pymonenko creates in "victim of fanaticism" invites us to reflect on the consequences of hatred and intolerance, and confronts us with the reality of human experience.

In summary, this work by Pymonenko is not only a testimony of his technical ability and his realistic style, but also a powerful comment on the impact of fanaticism on people's lives. With a composition rich in nuances and a palette that evokes suffering, "victim of fanaticism" is erected as a reminder of the fragility of social peace and the need for a commitment to tolerance and humanity in times of uncertainty.

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