D? V? E s Ko Em - 1923


Size (cm): 55x75
Price:
Sale price36.300 ISK

Description

The work "D? V? E s Ko em" (girl with basket) by Josef? Ank, made in 1923, is a clear example of the author's mastery in the representation of everyday life through a unique stylistic approach that amalgamous influences of cubism and expressionism. In this painting,? Asho addresses the female figure in a way that not only highlights its presence, but also reflects the vitality of a social and cultural context in transformation.

The composition of the work is essential to understand the intention of the artist. In the center of the painting, there is a young woman, located in a plane that seems to part with the abstract background that surrounds her. With a subtle irony, the use of geometric shapes and fragmented plans manifests itself in its figure. The girl holds a basket in her hands, which, far from being a simple object, becomes the symbol of daily life and the relationship between man and her surroundings. This element, loaded with meaning, evokes the industriousness and simplicity of everyday life, a recurring theme in the work of? Avel.

The color plays a crucial role in this painting, in which warm and terrible tones predominate that seem to dialogue with the light of the environment. The palette is characterized by its diversity, in which ocher and yellow are combined to create an almost nostalgic environment. These chromatic elections not only strengthen the figure of the young woman, but also provide depth and warmth to the scene, inviting the viewer to emotionally connect with the work.

The young woman's face, with her serene and contemplative expression, is a testimony of the humanistic approach of? Avel. Through his representation, the author seems to refer to the dignity of individuals in their daily lives, emphasizing their role within a society in which the changes were imminent. In this sense, "D? V?

Josef? Avel, considered one of the pioneers of modern art in Czechoslovakia, left an indelible mark on the artistic panorama of his time. His work is a bridge between popular art and avant -garde, using simple ways to connect with complex emotions. "D? V? E s Ko em" is, in many ways, representative of this sensitivity, catching the essence of the moment the artist inhabited.

The painting, although not extremely known worldwide, is part of a corpus that includes other outstanding works of? Avel, where art and social life are fusted. Research on his work reveals an interest in painting as a means to explore modernity, identity and intrinsic relationship between people and their environment, all aspects that resonate in this work. Thus, "d? V?

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