Description
Kazimir Malevich, the innovative of suprematism, an artistic movement that emphasizes geometric and abstract purity, offers us an emblematic and revealing work of its principles in "Supreme Composition: plane flying" from 1915. This painting is erected as a representative sample of the Radical rupture with the traditional forms of representation, a manifesto of the new abstract visuality that sought to transcend the object.
When observing "suprematist composition: plane flying", we face a dynamic disposition of geometric figures that float in a nebulous white and gray field. The composition is articulated by rectangles and an oblique line, creating a sensation of movement and speed, which corresponds to the topic referred to in the title. Malevich avoids any specific figurative reference, and instead, immerses us in a visual experience where color and shape act as the true protagonists of the action.
The colors in the work, predominant red and black, provide a vibrant contrast against the white background, capturing the viewer's attention and evoking a feeling of energy and action. This chromatic use is not arbitrary; The flat and primary colors are essential in suprematism, where pure emotion is transmitted through essential shapes and colors, in its most concentrated and direct state. The elimination of detail and simplification to the geometric suggest an idea of universality and fundamental principles of art.
The title "flying plane" can initially baffle the observer, since there is no clear representation of a plane in the work. However, this choice reflects Malevich's interest in the dynamism of the modern era and the wonder of emerging technology. The plane, a symbol of progress and rupture with the past, becomes a metaphor of supreme art itself: bold, innovative and transcendental.
Malevich, in his manifesto about suprematism, made it clear that he sought "the dispossession of physical things and material objects", pointing towards a deeper and more spiritual reality. In "suprematist composition: plane flying", this objective is clearly displayed. What may seem at first glance an image of inert abstraction, reveals an intention to communicate radical mental and emotional experiences. The absence of any figurative detail reinforces the notion that art should not be a slave to mimesis, but a vehicle to express concepts and feelings in its purest form.
For those familiar with works such as "Black Square" or "White on White" of Malevich, "Supreme Composition: Pluid Plier" may seem a logical extension, although with a different dynamic. While the other works seek to present the essence of the form through extreme simplification, this painting adopts the additional challenge of movement and interaction in a seemingly infinite space and without restrictions.
In summary, "Supreme composition: flying plane" is more than a representation of aviation; It is a testimony of the futuristic and spiritual vision of Malevich. Its focus on geometry, color and pure abstraction establishes the basis for a new form of artistic perception and appreciation that continues to resonate until today in the field of contemporary art.
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