Description
In the painting "Chico - 1932" by Kazimir Malevich, we find a work that highlights significantly within the wide range of modern art. Malevich, mainly known for founding the Supreme Movement, offers us in this painting A different look than its usual abstract approach, by presenting a work with figurative evidence and a clear human representation.
The central figure of the piece is a young man, whose presence is inescapable. This boy, dressed in a simple attire that suggests a rural or work era, is represented with a stylization that goes beyond realism, but without completely losing contact with the recognizable figure of man. His face is serious, framed by short and dark hair, and his features are clearly delineated but with a stroke that brushes the geometric, touching the characteristic minimalism of the artist.
The color in this work is essential. Malevich uses a palette that includes terrible, white, black and blue tones, colors that, although limited in number, are deployed with a mastery that gives depth and life to the figure. The chromatic simplicity, together with the composition, seems to indicate a search for the essence of the human figure, an attempt to go beyond the visible to capture something more transcendental.
The composition is direct but powerful. The boy is not surrounded by elements that distract; The background is rather neutral, which reinforces targeting in the main character. This simplification of the background and the full attention in the human figure can be interpreted as an echo of the Malevich supreme approach, where the essence of the form and color seeks to transmit the universal without the interference of the superfluous.
The way Malevich treats the pictorial plane in "Chico - 1932" is worth mentioning. Despite a certain simplicity, the work maintains an attentive balance, avoiding falling into the mere sketch and infusing a density that invites reflection on the scene. Each stroke and each color seem deliberate, reinforcing an implicit narrative about the human condition, youth and perhaps, the struggle and effort of an era full of difficulties.
Although Malevich is worldwide recognized for its "black square" and suprematist works, "Chico - 1932" offers a window to another facet of the Russian artist. Here not only is exploring abstraction and avant -garde, but also reminds us of its ability to touch the human and tangible with a unique sensitivity. It is a work that, although it may seem a deviation from its main path, complements its artistic career and offers a broader connection point with the reality of its time.
In conclusion, "Chico - 1932" is a piece that, through its apparent simplicity and central approach in the human figure, manages to encapsulate much of what Kazimir Malevich did a pillar of the art of the twentieth century. His ability to balance the figurative with his inherent tendency towards abstract minimalism offers a rich area of study and appreciation, underlining the complexity and depth behind each artistic choice conducted by Malevich.
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