Two men - 1938


Size (cm): 60x75
Price:
Sale price€257,95 EUR

Description

In the vast and multifaceted world of Russian art of the twentieth century, Pavel Filonov stands as a figure of unique relevance and complexity. This artist, theoretical and poet, developed a unique vision through his "organic analysis" method. The painting "two men" of 1938, also known as "Two Men", along with other works by Filonov, perfectly illustrates its distinctive artistic approach that challenged the socialist realism prevailing at the time.

"Two men" is a work that, at first glance, can baffle the viewer for their complexity. It perceives an amalgam of forms and figures that, after a more detained observation, reveals two human figures to the center of the composition. The fine and meticulous lines, in a framework that seems almost filigree, build these characters in a way that range between the abstract and the figurative. This detailed and precise approach is an outstanding feature of the Phenov's style.

The use of color in this painting is another of the characteristics that stand out. Filonov uses a restricted but effective palette, where earthly tones, gray and ocher predominate, splashed with more vibrant chromatic moments that seem to emerge from the textural depths of the pictorial surface. This creates an effect of almost visual archeology where the surface layer dissolves, allowing the spectator to dig in the composition until almost feeling the presence of the characters.

With regard to the composition, "two men" reflects the rigor and almost scientific methodology of Filonov. The figures are found in postures that are not immediately recognizable as human, but are gradually revealed through the intersections of lines and colors. Each line seems imbued with intention, as if each element of the composition was alive and in motion. This is a clear manifestation of "organic analysis", where the whole is composed of a thorough deconstruction of its parts.

Interesting is also to consider the contrast between this work and the socio -political context in which Filonov worked. In an era where artistic currents were strongly influenced and conditioned by the Soviet regime, Filonov's work was in clear divergence with official art doctrines. His style not only answered the official aesthetics, but also resisted simplistic and propaganda narratives.

"Two men" is not only a sample of Philonov's technical talent, but also of his deep reflection on the human condition and the nature of art. The sensation of fragmentation and simultaneity in the work suggests a world in constant change and adaptation, an idea that can be seen as premonitory of the vast social and political changes that would mark the history of the twentieth century.

While "two men" may seem impenetrable at first glance, every thorough detail and every chromatic choice reveals aspects of the complex vision of the world of Philonov. When examining this work, the spectator not only faces a painting, but a deep meditation on existence and perception. In short, Pavel Filonov, through this and other of his works, invites us to stop, observe and reflect on the kaleidoscopic nature of reality and art itself.

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