Description
The work "Sketch notebook - 1916" by Kazimir Malevich, a less known but equally fascinating piece within the vast repertoire of the Russian artist, slides with elegance between the outline and abstraction, offering a window to the creative mind of one of the most emblematic pioneers of suprematism. In this painting we find a composition that, although at first glance it may seem simple, carefully reveals the complexity of Malevich's visual thinking.
Observing the image, it is undeniable that Malevich continues its exploration of geometric shapes and primary colors, although more subtle. Unlike his best -known suprematic works, where the vibrant color and geometric shapes occupy the prominence in an autonomous space, "Sketch notebook - 1916" seems to concentrate on the pictorial process itself. The forms present in the work are accurately outlined and show a linear structure that suggests a meticulous planning and study element.
The use of white space is equally significant here, as it is in many of its other works. In this case, the white background not only serves to highlight the painted forms, but can also be interpreted as an evocation of the unlimited potential of the canvas before being conquered by the painting. Malevich, throughout his career, was a firm believer in the supremacy of pure artistic feeling about traditional visual representation. In "Sketch Notebook - 1916", this principle can be felt in the way in which the figures dance around the canvas, without adhering to an order dictated by the conventional perspective or narrative norms.
The color palette, although restricted, reinforces the abstract sense of the work. The tones off and the silhouettes give way to a calm and reflective expression, moving away from any intention to represent recognizable figures or concrete scenes. Malevich's intention in this piece could be speculated as an internal exploration of the elements that would define his suprematist style. These forms, although not entirely abstract, have a schematic quality that suggests a link in evolution towards their purest geometric language.
Regarding the technique, Malevich demonstrates its ability to handle the brush with a balance between the firm line and the empty space. Each line and each line are put with a security that denotes not only manual skill, but also conceptual clarity. The work, despite its apparent simplicity, has a hidden wealth that manifests itself in the visual interaction between negative forms and spaces.
In the broader context of Kazimir Malevich's work, "Sketch notebook - 1916" is between the early expression of his style and his subsequent supreme masterpieces such as "Black Square" or "Black Circle". Here we can see a different facet of Malevich that, although not as diaphanous as its iconic supreme work, provides us with a valuable understanding of its artistic process.
In summary, "Sketch Notebook - 1916" is an intriguing piece that sheds light on the evolution of Kazimir Malevich's artistic thinking. The work is sustained with dignity within a broader context, serving as a testimony of an artist at the cusp of his stylistic transformation. It invites us to look beyond the surface and consider the creative act as a background race, a perpetual trip of introspection and reinvention.
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