Profile of a girl. Preparatory works for a red and green decorative dye. - 1897


Size (cm): 60x60
Price:
Sale price€226,95 EUR

Description

Koloman Moser, outstanding representative of the Movement of Modernism and co -founder of the famous Secession of Vienna, offers us through her work *profile of a girl. Preparatory works for a red and green decorative dye* of 1897 a piece that condenses not only an aesthetic exploration, but also an innovative approach to the representation of the portrait in a decorative and symbolic context. The work, characterized by its unique use of color and its formal minimalism, is inscribed within the movement known as the jungendstil, which sought the integration of arts and daily life.

Visually, the painting focuses on the profile of a young woman, whose representation is simple and direct, but that transmits an emotional depth through its serene and contemplative expression. Moser avoids the complexity of anatomy in favor of a synthesis structure; The melodic outline of the profile is drawn with a soft curved line that evokes both the fragility and the delicacy of youth. The girl's head is framed by a background of abstract shapes located in a chromatic palette that combines red and green harmoniously and contrasting. This fund not only acts as an aesthetic support, but also raises a dialogue between the human figure and the pictorial ornamentation, a concept that was essential in the philosophy of Moser's design.

The use of color in this work is particularly remarkable. Red and green, two shades that traditionally evoke contradictory emotions passion and calm, heat and freshness, intertwine in painting to generate a palpable atmosphere. The choice of these colors suggests a preparatory work for a decorative dye, and makes us reflect on Moser's intention to transcend the paint as a mere representation towards a more integrated and applied practice. This approach is emblematic of his career, in which Moser not only worked on canvases, but also in graphic design, architecture and applied arts.

The work is also an example of how Moser moved away from the detailed style of the traditional portrait to focus on the essential. In contrast to the portraits of their time that focused on the richness of the details, Moser selects basic forms and a representation of the figure that leads the viewer to contemplate not only the image itself, but the interaction between the work and its surroundings . In this sense, the role of painting is extended as a decorative element that dialogues with the aesthetics of the home and public space.

* Profile of a girl* can be perceived as a reflection on the innocence and beauty of childhood, covering a dimension that is beyond pure portrait. When placing the female figure within a decorative context, Moser establishes a parallel with other works of the same period, where youth and purity were articulated as central themes in an increasingly focused field on subjectivity and symbolism.

In sum, Koloman Moser offers with this work a rich conjunction of the ornamental and the emotional, where each brushstroke and each chromatic choice invite us to a sensory meditation. The painting not only becomes a portrait of a girl; It becomes a support to explore the relationship between emotion, shape and color, a permanent search in the art of the end of the century that continues to resonate today.

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