Size (cm): 60x75
Price:
Sale price€235,95 EUR

Description

Ernst Ludwig Kirchner's "goalkeeper", painted in 1935, is a notable example of the expressionist style that characterizes the artist, one of the most prominent figures of this movement in the art of the twentieth century. Kirchner, who was co -founder of the Die Brücke group (El Puente) in Germany, sought in his work to explore human psychology and social reality through a bold and emotional approach. The "archer" painting reflects that search, as well as the evolution of its style in the years after World War I.

When observing the composition of "archer", the centralized representation of the figure of the goalkeeper is noted, which stands out for its dynamic and determined postureo. The figure, of angular lines and intense gestures, seems to be in a moment of action, I aim to release the arrow. This sense of movement is reinforced by the use of color and the shapes surrounding the archers. The vibrant palette and saturated tones, in elements such as the background and costumes of the central figure, create a vivid contrast that capture the viewer's attention. Kirchner uses an expressive use of color, using green, blue and purple shades that suggest not only a physical environment, but also an emotional atmosphere.

The figure of the goalkeeper, although lonely, evokes a sense of strength and determination. Possibly as a reflection of Kirchner's own internal struggle against his traumatic experiences during the war and his subsequent life in Switzerland, the goalkeeper can be interpreted as a metaphor of the individual's struggle in a chaotic world. The figure, although stylized, maintains certain elements of human anatomy, but it is through its exaggeration that Kirchner communicates the underlying emotion that he was looking to convey.

In terms of technique, Kirchner was known for his ability to use oil painting and his approach to engraving, which allowed him to play with textures and layers. This approach manifests itself in "archer", where the brushstrokes are visible and often abrupt, adding an expressive dimension to the work. The work also reflects the influence of different cultures that Kirchner had explored throughout his life, particularly in his interest in tribal and primitive art, which is evident in the way in which the archer's figure stylizes.

Although "archer" is less known than some of Kirchner's most representative works, such as its urban landscapes or portraits, it remains a piece that encapsulates its mastery in the use of color and the way to communicate internal and external struggles. This work, created in a more mature period of his career, highlights not only his technique as a painter, but also his ability to embrace the symbolism that the figure of the goalkeeper represents.

In the broadest context of expressionism, "archer" is inserted in a tradition of works that explore the relationship between the human being and its environment, as well as the individual struggle in times of crisis. Kirchner, throughout his work, constantly challenged the aesthetic conventions of his time, and "archer" is a revealing demonstration of his continuous search to find and express human essence. As such, this painting is not only a testimony of Kirchner's artistic virtuosity, but also of his deep introspection and his desire to connect with the emotional truth that underlies human experience.

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