Description
The work "Child with squirrel" (Henry Pelham) of 1765, created by John Singleton Copley, is a remarkable example of the American portrait of the 18th century that encapsulates both the intimacy of human relations and the virtuous technical domain of the artist. In this painting, Copley portrays his half -brother, Henry Pelham, a child who appears in a splendid moment of connection with a small squirrel, adding a layer of tenderness and curiosity to the composition.
The work is characterized by its meticulous attention to detail, distinctive feature of Coley, who was known for his talent to create a strong impression of realism in his portraits. The child, dressed in a simple way with a jacket and a white collar shirt, is located in an environment that suggests a family background, emphasizing the intimacy of the portrait. The choice of clothing, in dark colors that contrast with the luminosity of the face, suggests both modesty and elegance, a reflection of the colonial era.
The squirrel that holds in his hands is the true focal point of the image. With his bright eyes and inquisitive expression, the small animal symbolizes childhood, curiosity and nature. The relationship between the child and the squirrel manifests not only in visual interaction through the look, but also in the way the child holds the animal, suggesting both tenderness and fragility. This moment of living connection is translated through the soft and delicate color palette that Copley uses, where the predominant terrible tones highlight the meat and squirrel fur, while the details of the environment merge into a soft boke that does not compete with the main role of the child and his animal partner.
The background of the paint is equally significant, with an indeterminate landscape that provides depth without lowering attention to the first plane. The way Copley manages the light - with a subtle chiaroscuro game - highlights the innocence and vulnerability of the child, while illuminating the nuances of his skin. This lighting technique gives the work a calm and reflective atmosphere, positioning the viewer in a contemplation space.
"Child with squirrel" can also be seen as a precursor to modern portrait, in which the artist not only captures the physical appearance of the subject, but also creates a study of character and feeling. The way Copley establishes an emotional bond between the spectator, the child and the squirrel invites a personal connection, promoting empathy and reflection.
Although Copley is mainly recognized for its most formal portraits of aristocrats and influential personalities, this work stands out for its warmth and simplicity. The work suggests a deeper exploration of daily life, an issue that is often lost in the formal art of its time. This more accessible approach reflects a trend in Coley's artistic production that seeks to bring the viewer to a more personal and emotional experience.
In summary, "Child with Squirrel" is erected as a masterpiece of American colonial painting, a celebration of child innocence, the connection with nature and the tireless ingenuity of John Singleton Copley. His ability to balance the impeccable technique with a deep sense of humanity and emotion in the portrait continues to inspire the study and appreciation of art to this day.
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