Description
The Universe of Abstract Art finds in Kazimir Malevich one of its most distinguished pioneers. The painting "Two Squares" ("Two Squares") dating from 1915, is contextualized within the Supreme Movement, a radical style of abstract art promoted by Malevich itself, which focuses on basic geometric shapes and a limited palette of colors . This style sought, in the words of the artist, to release the art of the weight of the objects of the world '.
The simplicity of "two squares" is in turn its deepest complexity. The work is composed, as its title indicates, of two squares: one black and one red, thrown on a white background. This very clear compositional decision is not arbitrary but responds to a meticulous investigation into color and shape. The black square, characteristic of Malevich, frequently symbolizes for the artist the extreme reduction and renunciation of superfluous. On the other hand, the red square could be interpreted as an explosion of energy, a sign of vitality against the abyss of nothing represented by the black.
The arrangement of the squares, slightly inclined with each other and partially overlapping, creates a visual and dynamic tension that defies the intuitive geometric stiffness of these forms. This apparent asymmetry infuses movement and a feeling of sliding, leading the viewer to question spatial and conceptual relationships within the work itself. Here, Malevich does not seek to imitate the visible world, but rather invite the viewer to experience a new perception of reality, devoid of tangible and material references.
In addition to the composition and use of color, it is essential to notice the total absence of characters or figurative elements in "two squares". This is absolutely in line with the principles of suprematism, which reject figuration in favor of pure artistic expression through shapes and colors.
It is relevant to mention that "two squares" meant a break with the figurative and representational art of its time. Its historical context cannot be obvious; In the midst of the tumultuous social and political changes of the early twentieth century, Malevich and their contemporaries explored new ways of expressing human experience through art. Malevich's work stands out not only for its aesthetic content, but also for its philosophical audacity and its incessant search to transcend the traditional limits of art.
"Two squares" is part of a series of Malevich suprematist works, along with pieces such as "Black Square" and "White on White", which represent different stages of their artistic exploration. These works share the same conductive thread: the search for the pure essence of art through extreme simplification and redefinition of pictorial space.
Malevich's influence on modern art is incalculable, opening doors for subsequent movements such as constructivism and minimalism. "Two squares" remains an emblematic piece that stands out not only for its formal innovation but also because of the deep reflection that arouses the language and function of art in its most essential sense.
In short, "two squares" by Kazimir Malevich is a work that challenges and transforms, inviting the observer to a direct dialogue with the purest forms of visual thinking. It is a milestone in the history of art that continues to inspire and causing astonishment more than a century after its creation.
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