Size (cm): 50x85
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Description

Francis Picabia, one of the most unique referents of the Dadaist Movement and Modernism in the early twentie , the mechanical and the poetic. This particular work is in the context of its aesthetic evolution, where Picabia began to distance himself from strictly figurative representations towards a more symbolic and iconoclast approach.

The composition of "jiffy" is intriguing and awakens various interpretations, often seen through the lens of the automatism, where the creation process is equally involved as the final conception of the work. In this painting, a dynamic use of geometric shapes and a color treatment that suggests an interaction between organic and mechanical is evident. The work seems almost a celebration of modern life, where curves and lines avoid stiffness, instead suggesting a rhythm that can be related to music or movement.

The use of color is particularly remarkable. Picabia uses a vibrant palette that includes burning nuances of reds and oranges, contrasting with more sober tones in specific areas. This choice not only captures visual attention, but also generates a tension that invites contemplation, challenging the viewer to consider the relationship between emotion and color in human experience. Its way of manipulating color creates an almost caleidoscopic atmosphere, where energy and vitality seem to emanate from the canvas.

It is important to mention that, regarding this work, Picabia was immersed in a deep experimentation with the implications of modernity and technology in art. This exploration is reflected in the lack of human figures or recognizable elements in "jiffy", which, at the same time, allows the viewer to project their own associations and experiences. The abstract becomes a bridge to the personal; Art is not only a space of contemplation, but also an emotional connection means.

Picabia, known for his ability to challenge conventions, thus continued his way to the artistic transgression that defined his career. His work can be aligned with others of his time that explored abstraction and fragmentation, such as those of Wassily Kandinsky and Paul Klee, although Picabia is distinguished by a more provocative and ambivalent approach. "Santiamén" stands out not only for its image, but also for what it evokes about its historical, emotional and technical context, becoming a testimony of the creative ingenuity that challenged the limits of art in its time. Thus, this painting is not only a part of the legacy of Picabia, but continues to resonate in the contemporary dialogue about art and expression.

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