Description
The painting "Speakers in La Tribuna - 1919" by Kazimir Malevich is a masterpiece that encapsulates the ideals and aesthetics of the suprematist movement, of which Malevich was a fervent defender and founder. In this composition, the artist explores a convergence between the abstract and the figurative, challenging the artistic conventions of the moment and proposing a new vision of art based on geometric purity and the use of color.
In "Speakers in La Tribuna", Malevich uses simplified geometric shapes to suggest human figures in a situation of public speech. The figures are not represented with realistic details; On the other hand, they are abstract allusions to people, made with rectangles and black lines that suggest movement and dynamism on a mostly white background, interrupted by other solid colors such as blue, red and green. This chromatic palette choice and the simplification of forms are defining characteristics of suprematism, which seeks to reduce the work of art to its most essential elements to create a pure expression.
White background is not a mere vacuum; It is an active space that highlights the figures and favors visual interaction between them. This negative space allows black and colors to vibrate with greater intensity, thus complying with the suprematist precept that the color and shape should be the undisputed protagonists of the work of art.
There is a sense of movement and energy in the composition, as if the speakers were constantly interaction with each other and their environment. This dynamism is also accentuated by the inclination and overlap of some forms, creating a visual tension that keeps the viewer involved. Malevich manages to evoke an atmosphere of debate and dialogue without resorting to conventional figurative narrative, offering a more abstract and conceptual visual experience.
The period in which Malevich paints "speakers in the gallery" is vital to understand the work. In 1919, the Russian revolution was still recent and the ideas of social and political transformation were in boiling. Art was also in a moment of radical transformation, and Malevich was at the forefront of this change, proposing a departure from the traditional representation towards a new form of expression that would reflect the changing social realities.
Kazimir Malevich was a key figure not only in the Russian avant -garde, but also in the development of abstract art worldwide. His work "Black Square on White Background" of 1915 is perhaps the most emblematic of his suprematist approach, where he carries geometric abstraction to its maximum expression. "Speakers in La Tribuna", although less known, remains an important manifestation of its artistic principles.
In conclusion, "Speakers in La Tribuna - 1919" is a work that defies the conventional norms of artistic representation. Through simplified geometric shapes and a bold color palette, Malevich invites us to explore a new way of seeing and understanding art and the world. The painting not only captures the essence of a crucial historical and cultural moment, but also resonates as a timeless testimony of the transforming power of abstract art.
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