THE VICTIM OF HIS COMPINChes - 1881


Size (cm): 55x75
Price:
Sale price5.798,00 Kč

Description

Mikhail Nesterov, one of the most prominent painters of Russian realism of the nineteenth century, offers us a visual testimony of the human condition in his work "The victim of his cronies" (1881). The painting, which is part of the background of the Russian pictorial traditions, is an eloquent sample of Nestterov's mastery in the representation of scenes loaded with emotion and social meaning.

By carefully observing the work, the level of detail with which Nesterov captures the drama of the moment is remarkable. In the center of the composition, a man lies inert on the ground, his pale face and his demolished posture indicate that he has literally succumb to the consequences of his companies. Around this man, a group of characters, who according to the title could be his "budins", seem distant and selfless, adding an additional layer of harsh reality and a social comment about betrayal and human indifference. The carefree attitude of the others dramatically contrasts with the personal tragedy of the protagonist.

The use of color in this painting deserves a particular mention. Nesterov uses a relatively gloomy palette, predominantly the tones of brown, gray and dark green, which accentuate the gloomy and melancholic atmosphere of the scene. The bottom, although simple, provides sufficient context to place the action in a specific space, perhaps a tavern or a corner of a neighborhood, without distracting the attention of the central outcome.

The composition is classical, with a skilled use of the space that directs the viewer's gaze directly to the fallen character. When the protagonist surrounded with less detailed and darker figures, Nestterov not only focuses our attention on the victim, but also tells us something about the role of these secondary characters: they are shadows, marginal figures in the life of the principal, which no longer They have more to contribute, except perhaps a lesson about the lightness of human relationships and the fragility of personal integrity.

Nesterov's style, with its roots in realism, is intertwined here with a strong social criticism, reminding us to some extent to other greats of Russian realism, such as Ilya Repin. However, Nesterov manages to maintain a unique voice, investigating not only in the precise representation of physical appearance, but also in the psychological and moral complexity of his characters. In "the victim of his cronies", the fusion of these elements results in a powerful and evocative work that transcends his time, reflecting universal human concerns.

Although this painting may not be as well known as others of its production, such as "the vision of the young Bartolomé" or "San Sergio de Radonezh", "the victim of his cronies" is a significant example of Nestterov's talent to capture the essence of The human condition in adversity situations. It invites us to reflect on individual and collective responsibility in society, issues that remain relevant today.

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