The Coronation of Joas - 1860


size(cm): 70x55
Price:
Sale price5.591,00 Kč

Description

The work "The Coronation of Joas", painted in 1860 by Francesco Hayez, is erected as a notable example of the mastery of this artist in the context of Italian romanticism. The piece, which captures a significant moment in the biblical history of King Joas of Judah, not only stands out for his narrative wealth, but also for his intricate technical execution and his careful compositional elements.

When observing the painting, the portrayed scene develops within a theatrical framework, where Joas, a young king, is crowned in a celebration that symbolizes not only an ascent to power, but also a moment of rebirth and hope for the Jewish people. The central figure, Joas, is presented with a dignified and solemn attitude, dressed in a rich robe that suggests a high status. His face, well illuminated, expresses determination and youth, evoking a mixture of reverence and power. The use of color is particularly fascinating; Hayez uses golden and reddish tones for the young king's dress, reflecting not only the light that bathes him, but also the magnificence of the event.

The composition is skillfully orderly, leading the viewer's gaze to Joás, while the elements that surround him reinforce the importance of the scene. To his left, the priests venerate the ceremony, and to their right, the figure of their mother is observed, which presides with an expression of pride. These characters are carefully located, creating a visual balance that accentuates the monumentality of the event. Hayez's choice to include these characters adds a layer of emotional complexity to the work, since they present different reactions and symbolisms; The mother represents the protection and hope of a brilliant future for her son and her kingdom, while the priests embody the divine connection and the sacred rituals that support the legitimacy of real power.

The background is equally significant; Columns and an arch are glimpsed, which contribute to the scene an air of greatness and architectural solemnity so characteristic of romanticism. The use of space is meticulous, since Hayez shapes an environment that, although in a historical context, feels universal and timeless. This reflects one of the great virtues of romanticism: the ability to transcend its time and connect with eternal human emotions.

In addition, Hayez's technique is worth mentioning. Their skill in the management of chiaroscuro allows the figures to emerge with three -dimensionality, providing them with life and movement. The nuances in their palette, combined with the detailed study of the folds of the clothing and the quality of the textures, are a sample of their deep knowledge of the historical anatomy and clothing.

Although the work is based on a biblical narrative, it can also be interpreted in the context of the nineteenth century, at which time Italy sought to rekindle its national identity and civic symbols after centuries of political fragmentation. Hayez, a fervent supporter of nationalism, becomes in "Joas's coronation" a spirit that can be seen as a longing for rebirth and unity for his homeland.

In conclusion, "Joas's coronation" is more than an artistic representation; It is a testimony of Italian romantic art on its cusp, offering a rich visual experience that invites the viewer to contemplate both the historical scene and the deep symbolism that it contains. Hayez's work remains relevant not only for his technical quality, but also for the deep emotions he evokes and his ability to reflect the desires and hopes of a time in search of his own identity.

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