Suprematism

Kazimir Malevich, one of the pioneers of abstract art, left an indelible mark on the artistic panorama with his series of works under the name of "suprematism." This artistic current, born of Malevich's visionary mind at the beginning of the 20th century, is characterized by an extreme simplification of shapes and colors, and is precisely in "suprematism (suprematism)" where the artist masterfully addresses the fundamental principles of this movement of this movement .

"Suprematism", as its title suggests, does not seek to represent objects of the tangible world, but focuses on exploring the supremacy of pure visual sensitivity. This painting, An amalgam of flat and basic geometric shapes, challenges traditional perception by completely dispensing with any figurative allusion. The composition is composed of geometric shapes of various sizes and colors, which seem to float freely in an indefinite space.

In the heart of the composition, it highlights a black square that dominates the view. Around it, geometric figures of primary colors yellow, red and blue interact in a seemingly chaotic but carefully balanced dynamic. The disposition of the forms does not suggest depth, but keeps them in a plan as two -dimensional as the figures themselves. This intentional choice makes the viewer focus on the interaction between colors and shapes instead of looking for hidden narratives.

The use of colors by Malevich is conscious and deliberate. Black, a constant in its emblematic suprematist pieces, is not simply an absence of color, but an absolute color that contrasts powerfully with white background, which symbolizes emptiness and infinity. The three rectangular figures in yellow, blue and red are not merely decorative; They represent the culmination of the reduction to the most essential and basic forms and colors possible. This approach points to a turning point in abstraction, stripping the art of any story or imitation of reality, to celebrate an almost spiritual purity of pictorial media.

The unusual lack of recognizable characters or elements underlines Malevich's radical rupture with the past. In contrast to figurative and representative art, suprematism invites a purely aesthetic contemplation, encouraging the viewer to experience painting in its most elementary form. This innovative art current highlights intuition and emotion as the main axes of artistic experience.

Malevich elaborated suprematism as a revolutionary project that departed from the artistic conventions of his time, seeking direct communication of sensory perception. Under this perspective, suprematism not only presents itself as an unusual and rupturist work, but also as a vibrant manifest of a new visual language. The minimalist structure and the almost musical organization of the forms, reveal a visual symphony that raises the perception of the viewer to new dimensions of sensitivity and understanding.

Through "suprematism", Kazimir Malevich exercises a fervent call to free the art of the ties and norms of the past, proposing instead a new route of expression focused on the absolute and the essential. This work, with its sublime simplicity and vigorous abstraction, continues to resonate as a enduring testimony of the power of art to transform, question and expand the limits of human perception.

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