Mrs. Daniel Hubbard (Mary Greene) - 1764


size(cm): 60x75
Price:
Sale price5.939,00 Kč

Description

The work "Mrs. Daniel Hubbard (Mary Greene)" by John Singleton Copley, painted in 1764, is erected as a powerful example of the portrait of the US high colonial high society, reflecting not only Coley's technical ability, but also its deep understanding of psychology and social status of their sites. The central figure of the painting, Mary Greene, poses with a serene and dignified grace, catching the viewer's attention not only for her meticulously elaborate outfit, which alludes to the clothing codes of her time, but also for her contemplative expression, which It suggests a rich inner life.

The composition is defined by a remarkable balance and intelligent use of space. Mary is placed slightly to the side, which creates a visual dynamic that invites the viewer to travel the work. His dress, with a deep blue color, has a sophistication air that contrasts with the neutral and dark background, a resource that Copley dominates to enhance his characters. This color choice not only magnifies its presence, but is also an indicative of its social status, since the vibrant tones and the quality of the fabric of the dress were synonyms of wealth and prestige.

Mary's face, which stands out in terms of luminosity and detail, shows careful attention to the expression and texture of the skin, a technique that Copley perfected throughout her career. You can see how the subtle shadows and lights combine to create a representation that is both naturalistic and idealized. Copley, known for his ability to capture the psychology of his subjects, gives life to Mary, making her seem accessible and imposing.

Interestingly, the environment also plays a crucial role in the visual narration of the work. Mary holds a book in her hand, which can be interpreted as a symbol of knowledge and virtue, highlighting the ideal of the educated woman of her time. Behind her, a red curtage unfolds, adding a subtle air of wealth and suggestion of intimacy, reinforcing the idea that this is its private space, a shelter where the public and private sphere intertwines.

Copley, a pioneer in the field of portrait, conceived his subjects in a context that went beyond mere physical representation. In this work, he invited the viewer to reflect on the identity and role of women in colonial society. In the context of the time, their attention to detail and its focus on the representation of clothing and the environment also place this work in the tradition of English portrait, which was characterized by an interest in individuality and social distinction.

Copley's work has been compared to other contemporary pieces, in which artists explored similar themes of status, gender and society. His portraits of characters such as "Miss Catherine Darnley" or "Samuel Adams" also reflect care for details and a search for truth in representation, characteristics that cemented their place in the history of American art. "Mrs. Daniel Hubbard" not only remains a testimony of Coley's technical virtuosity, but also as a reflection of the social complexity of his time.

In its entirety, "Mrs. Daniel Hubbard" is presented not only as an imposing example of the colonial portrait, but also as a dialogue between aesthetics and identity, where each brushstroke is impregnated with meaning, capturing not only the appearance, but the Essence of his subject, leaving the viewer with a sense of connection with the past. This work invites a deeper contemplation about the role of women and status in a world in transformation, ensuring their place in the narration of art and social history of America.

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