Langelinie view (Verse without title?) - 1924


Size (cm): 65x60
Price:
Sale price5.578,00 Kč

Description

The painting "Vista de Langelinie (Verse without title?) - 1924" by Edvard Weie is an intriguing example of the artist's ability to merge the naturalistic representation with a markedly expressionist interpretation. In this work, Weie captures a coastal landscape that evokes a melancholic and nostalgic atmosphere, characterized by its careful disposition of colors and shapes.

The composition of the work focuses on a low horizon, highlighting the extension of the sky that is considered a distinctive seal of the Scandinavian landscape. The sea, which occupies the lower part of the paint, reflects different nuances of blue and green, suggesting a soft movement, while horizontal lines contribute to a feeling of calm and serenity. This use of color is found in the tradition of Fauvism, where color is applied not only as a means to represent the real world, but also as a vehicle to evoke emotions.

The sky, which unfolds in warmer tones, shows a gradient that goes from golden yellow to dark blue, creating a rich contrast that catches the viewer's view. This interaction between heaven and the sea suggests the influence of light on the landscape, a recurring theme in Weie's work, known for its sensitivity towards light variations in its landscapes.

Despite the apparent calm of the scene, it lacks visible human figures, resulting in a visual dialogue between nature and the spectator. The lack of characters invites contemplation, allowing each observer to project their own experience in the landscape. This approach focused on nature is significant in the context of the artistic movement of the early twentieth century, where many artists sought to escape urbanization and find a deep connection with the earth.

Edvard Weie, a prominent member of the Danish young movement in art, has a trajectory marked by its relationship with the Nordic pictorial tradition and its commitment to the new currents of their time. His evocative style allows works such as "Vista de Langelinie" to serve as a reflection of deep feelings towards home, nostalgia and beauty of the Danish landscape.

While the work may not be among the best known within its corpus, it is inserted within a series of landscapes that explore, similarly, the relationship between man and its surroundings. Through this painting, Weie offers us not only a landscape, but a space for reflection in which the viewer is invited to immerse himself and find his own interpretation, sailing between the waves of color and light that paint the scene.

In conclusion, "Langelinie view (Verse without title?)" Highlights as a significant example of Edvard Weie's art, where technical mastery is combined with a deep ability to evoke emotions, becoming a testimony of the beauty of landscapes Scandinavians and the cultural heritage they represent.

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