IV horses (red horses) - 1911


Size (cm): 75x50
Price:
Sale price5.609,00 Kč

Description

Franz Marc, one of the most prominent exponents of German expressionism, offers us through his work "horses grazing IV (the red horses)" of 1911 a deeply symbolic and intuitive vision of the relationship between man and nature, as well as of the aesthetics that defines your style. This painting is part of a context where horses, in particular, are represented as creatures that embody not only strength, but also a spiritual connection with the environment. The selection of a predominant red color for horses is not accidental; In Marc's palette, the red color is generally associated with the animal, passion and alive, thus reinforcing the vitality of these creatures.

The composition of "horses grazing IV" is remarkable for its fluid lines and simplified forms. The elements are organized in an almost abstract space, where horses are arranged in a field that suggests both a natural environment and an idealized pictorial space. The oval shape and its dynamic contours create a sense of movement, as if the horses were moving gently in their surroundings. This moment of calm and serenity is emblematic of the series of paintings of horses that Marc made, where he explores symbolism and emotionality behind these animals.

This use of color, implicitly vibrant, contrasts with the most off and subtle background, allowing horses to become the focus of viewer's attention. Each of them is treated not only as an individual being, but as part of a set that reflects the harmony and unity present in nature. The choice of color and shape results in an almost dreamlike experience that invites us to contemplate beyond the merely physical. Through this work, Marc moves away from realism, opting for a representation that evokes deep emotions and resonates with his search for authentic pictorial language.

The origin of this work is in Marc's personal artistic evolution and his affinity with the group of artists known as Der Blaue Reiter, who advocated a freer and more spiritual expression in art. Marc's series of horses, in particular, is a testimony of his desire to capture the essence of animal life, and his process of distancing traditional naturalism indicated a yearning to express an internal world of emotion and color.

"Pasting IV horses" is not just a portrait of equine beauty, but also serves as a comment on the very nature of existence. Marc seems to invite us to reflect on our own relationship with the natural world and the beings that inhabit it. In this sense, his art becomes a bridge between the visible and the invisible, into a continuous dialogue between nature and the human being.

Franz Marc, through this work and other similar ones, has left a legacy that continues to invite contemplation and analysis in a world increasingly far from those connection and sensitivity values ​​towards the environment. "Pasting IV horses" stands as a hymn to the pure essence of life, where color, shape and emotion bind to offer us a visual experience that invites introspection and aesthetic delight.

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